Friday, 28 January 2022

More Spotify/Young/Rogan

This isn't about Spotify. This is about misinformation, and drawing a line in the sand.

It's also about Neil Young and his credibility.

For decades we've heard that selling out doesn't matter, that you should take the money, that you should become a brand, that your music is just a step towards becoming a conglomerate, that the public doesn't care and neither should you.

But this is patently wrong.

No one else could lead this charge, make this stand, because they don't have a concomitant amount of credibility, nowhere close. Except maybe for Paul McCartney and Don Henley. But at this point McCartney is overexposed, trying to stay relevant, making crap with the young 'uns, as for Mr. Henley...remember when he got us all interested in Walden Woods?

One thing Young and Henley share is they're not warm and fuzzy. They're iconoclastic. They put the music first, and you can accept it or not. And the public did.

Now the Eagles have never licensed "Hotel California," in fact they've sued people who ripped-off the name. And some might see this as an abuse of power, Disneyesque, but music is not like movies, movies are a facsimile of life, music is life itself. You can easily taint a song. Hell, "Good Vibrations" has been whored out to the point where it's lost its underlying meaning and a whole bunch of its charisma. But people just know "Hotel California," and "Heart of Gold," they're in the ether. Then again, they both were hits before the internet came along and blew the old paradigm to hell, before everything became so much smaller.

The fact that youngsters are laughing at Neil Young, oh you've heard the jokes, misses the point completely. They're all into vinyl, it's only a matter of time before they get into classic rock and start building upon it. And it's not only the music, but the values. But you've got to be an outsider, you've got to follow your own muse, you can't care what others think, and in this alienated world people are loath to do so, being a member of a club gives them identity, and without it you're isolated and depressed.

So Neil Young takes a stand and...instantly it's international news.

270 doctors took a stand just a few weeks ago and...crickets. If you read the news comprehensively you were aware of this. Then again, not if you were ensconced in the right wing news bubble. This story didn't penetrate it. But Neil Young? He crosses all lines, he penetrates EVERYTHING!

That's the power of a rock star.

No young act has this power. These young acts have acolytes, fans who will defend them to the death, publicly diss their hero and you'll feel the blowback for years. But don't confuse the power of these new acts with that of Neil Young.

It's not like people are talking about Neil Young 24/7, but they're not forgetting about him either. As for Springsteen, he's opened up, become warm and fuzzy, whereas if anything Young has flown even farther from the center down a hole of his own making, that's why he's so interesting,.

Young wouldn't be so interesting if he worked with Max Martin, if he tried to have a hit. It's all Neil all the time. He writes the songs, he doesn't buy beats and sit down with seventeen people to finish them. The statements come straight from Neil, and that's quite a surprise these days. And sure, there are acts following in Neil's footsteps, my inbox will fill up with protestation, especially from the never known pressing their music upon me. But the truth is Neil has traction. Yes, he built his career under the old system, but he's stayed true to his ethos.

Come on, there's a ton of history here. David Geffen suing him for putting out uncommercial music. And then there were the bio vehicles and music quality and Pono... Even pushback against GMOs. Was Neil right every time? No. But he put it out there, he's not afraid of taking a risk and he's not afraid of the naysayers. As a result, he's got tons of fans, and they're not fly by night, they're dedicated. And maybe they only like "Harvest." Or the Crazy Horse stuff. It doesn't matter, something Neil did resonated with them and they can't forget it. Furthermore, so many of the classic tracks, that we know by heart were never hits. "Down By the River"? "Old Man"? "Alabama"? You know 'em because you played them over and over again.

Spotify?

It's a business.

There's so much to laud with Spotify. It literally saved the recorded music business. And it all comes down to one person, Daniel Ek. He believed when almost no one did. He flew around the world trying to convince rights holders. The VCs? They had little traction. But this nobody pulled it off. That's more rock and roll than any of the acts bitching that they're not making enough money on his service. Then again, Daniel Ek knows math, and those acts do not.

And that's one other thing that came out in this brouhaha. That Spotify accounts for 60% of Neil Young's worldwide streams.

Huh? But Spotify only has thirtysomething percent market share!

People keep e-mailing me. About Spotify stalling. About competitors. But the bottom line is active music listeners are on Spotify. Period. A stream may be worth more on a competing service, but that just means fewer people are listening! It's about exposure, especially today, distribution trumps everything. If your music is not heard, you're nowhere.

But there are alternatives to Spotify, which is what makes this Joe Rogan case unique.

Everyone bitches about Facebook. But where else are its users supposed to go? Ditto re Instagram. And TikTok. And YouTube. Of course there's some crossover between all these platforms, but in many ways they're unique. Whereas the similarities between Amazon, Apple and Spotify far outweigh the differences. You can switch platforms and not lose that much. Hell, Apple is now pushing that you can hear Neil on its music service. You don't see some social media company doing the same, competing with Facebook.

So this is a test case. This is where the war is being fought.

It should be fought at Facebook. But because of the lack of competition and the hubris of Mark Zuckerberg, along with the duplicity and misinformation of Sheryl Sandberg and the rest of the execs, the company evades accountability and ultimately doesn't change. As for change...it's all algorithms, a secret sauce no one who doesn't work at the company is privy to. And after the whistleblower, Facebook has been siloed, you can work there and have no idea what is going on at the company other than in your own vertical.

But we've got to push back against technology. We have to recapture truth from the techies who have taken it from us, knowingly or unknowingingly.

That's the issue. It's got nothing to do with payouts or audio quality or any of the sub subjects being discussed ad infinitum in the past few days. And I hate to tell you, but Spotify is so superior to the other services it's not even funny. Works right away. Log into Apple and at first it won't stream, it says you're not authorized. And on Amazon the albums are not in chronological order. That takes money and manpower, and people who believe it's important. And first and foremost, Spotify is superior because of its algorithms. They provide personalized music to every subscriber. Old tunes, new tunes, playlists of what you've been listening to. As for the constant drumbeat of the power of playlists, Spotify announced this week that the majority of listening comes from active choices: https://bit.ly/3ILCJvE Passive is a provided playlist. Active means you pick the tracks you want to hear yourself. All that b.s. about playlists... They're for the passive, those who use music as background, not the early adopters and fans who spread the word.

But the sound on Apple and Amazon is better. It's not only the bit rate, but the codec. However, Spotify plays right away. I've tested this again and again and again. It makes no sense, but Spotify will play when Apple and Amazon won't. Maybe the latter need more bandwidth, I don't know. But you want your music all the time, right?

As far as Daniel Ek and Spotify...

They have no coherent detailed misinformation policy. The best explanation of this is here: https://lat.ms/3H67o6l

There has to be a defined policy. There's got to be clear penalties. We have to restore faith in the truth. I'm not saying that cannot be debated, but on a lot of topics, especially science, it can't. Rogan has said that the vaccines cause more heart problems in young people than getting Covid. The expert guest says he's absolutely wrong, Rogan doesn't own it, then goes online and sees that the expert was right, but then Joe starts questioning the article he Googled. Watch this:

"Joe Rogan ignores Covid science while reading it out loud": https://bit.ly/3AIFquQ

And while you're at it, watch this one too:

"Jordan Peterson got his climate info on controversial Joe Rogan podcast from an Exxon-funded climate denier": https://bit.ly/34h7cmm

This guy is completely wackadoodle. He says all the climate change data is b.s. because...the meaning of "climate" has to be taken into account and his definition is different from the experts'.

And in the case of the climate change guy, there was huge blowback:

"Scientist slam Joe Rogan's podcast episode with Jordan Peterson as 'absurd' and 'dangerous': https://cnn.it/3HfnJWy

And what do both of the above incidents have in common? THEY WEREN'T COVERED BY RIGHT WING MEDIA!

Never mind Rogan hosting other inane Covid deniers.

So we're supposed to give Rogan a pass because there are worse offenders? How do we stop the insanity? Where's Susan Powter when we need her!

This story isn't just about Spotify and it's not just about Joe Rogan. This is a story about all media. And it took Neil Young to shine a light on it, a rock star.

All these corporations have these social responsibility efforts. Do-gooding behavior that burnishes the company's image. But when it comes down to the most important thing, TRUTH, they're silent, unlike Neil Young they're afraid to take a stand, they're mealy-mouthed, they fear alienating the ignorant. Is that how we should run our country? At the level of the mis and uninformed? Trump loved those people. As for truth, he won the election you know. That's right, tons of Republicans believe this and elected officials are afraid to deny the Big Lie for fear of incurring Trump's wrath. This is the country we want to live in?

What did John Lennon famously sing?

"All I want is the truth
Just give me some truth, now"

That was what rock stars were seeking. That's why John Lennon may be the most revered rock star of all time. Forget the melodies, the vocals, he was willing to put everything on the line for his beliefs. Paul McCartney ultimately said we should give Ireland back to the Irish, but that's a forgotten blip in his career, whereas a search for truth, an excision of b.s., is what John Lennon was all about.

And almost nobody is about today.

So who knows, maybe Spotify will cave here or it won't. But if it doesn't, that just adds fuel to the rest of the entities supporting misinformation. If we can't stop Spotify, what are the odds we can stop Fox News? NIL!

And if you think Rogan's speech has no effect, I proffer this e-mail I got:

"From: Dulcie May Mareno
Re: Re-Neil Young/Spotify

Hey Bob,

Dulcie here from Canterbury, UK.

I realised I've been directly affected by Joe Rogans podcasts. My partner religiously tunes in to these and expressed so much worry about the vaccine that neither of us have had it, were in our 30's.

I suffer with OCD and anxiety, so once I get an idea in my head it is frankly impossible to shake it off. The nature of obsessive compulsive behaviour.

I have scheduled it many times but chickened out as I don't want to go alone.

It sounds pathetic, but this is the reality of mis-information for the sensitive and troubled among us , which is probably 50% at least of the entire population, if not more!

I'm a jazz singer and I want to keep singing in venues but I now have the added anxiety knowing I haven't had the vaccine.

Mis information needs to be stopped, Joe Rogan and his conspiracy theories, unless there is basis on some actual FACTS it should be illegal to spread this kind of false news. Speculation should be saved for philosophical conversations. They are far more interesting anyway!

Thanks for talking about some really important and interesting stuff.

Yours
Dulcie"


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Thursday, 27 January 2022

Rickie Lee Jones-This Week's Podcast

Rickie Lee is so forthright and honest it will astound you. We talk about being on stage, insecurity, relationships...it's like sitting down with your best friend. Amazing.

https://www.iheart.com/podcast/1119-the-bob-lefsetz-podcast-30806836/episode/rickie-lee-jones-92109175/

https://podcasts.apple.com/us/podcast/rickie-lee-jones/id1316200737?i=1000549158202

https://open.spotify.com/episode/5Xyq1r9do8XFaTNovXYyHb?si=1Uj9j5_pReOKTZ2DKKepTA

https://music.amazon.com/podcasts/9ff4fb19-54d4-41ae-ae7a-8a6f8d3dafa8/episodes/fda3c91e-e72c-435c-bf73-4a54a653e972/the-bob-lefsetz-podcast-rickie-lee-jones

https://www.stitcher.com/show/the-bob-lefsetz-podcast/episode/rickie-lee-jones-90024395


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Re-Neil Young/Spotify

I cancelled my premium service with Spotify today. I moving towards lossless audio anyway…gonna hang with Neil. He's always had my back since I've lived on Sugar Mountain.

Bill Cason

______________________________________

You're absolutely right that Spotify won't listen unless users make a statement, so I just completely canceled my family plan and made sure they knew the reason was Rogan and his misinformation.

I'll take Neil over Joe any day.

L Eilers

______________________________________

I cancelled my Spotify last night and switched to Apple. I said 'I'm with Neil'. Maybe more need to say that.

Len Cater

______________________________________

Yes. Yes. Yes. Just canceled my subscription!

LaRhonda Tracy

______________________________________

Hi Bob,about time a musician came out and said something.I'm cancelling Spotify.Joined Amazon and Neil Young Archives.He'll get alot of subscribers from this.More people should leave Spotify.Really bad press.Wall Street doesn't like that.Stay well.It's snowing again here in CO.Ted Keane

______________________________________

Goodbye, Spotify! We're going with Apple.

- Ralph & Becky Torres

______________________________________

I left Spotify for Amazon HD about 3 years ago...Spotify has better algorithms I think (those playlists are great) but the lack of HD was the main reason for me. This news makes me feel even better about my decision.

Ric Ruiz Esparza

______________________________________

I just emailed Spotify and told them I was about to cancel my membership - that they need to kick Rogan off now.

Everyone who doesn't accept these lies and disinformation should have this email and tell Spotify to change.

support@spotify.com

Thanks Bob - I continue to appreciate and value your missives.

cheers,
Mike Sturgill
Britt Festival, Wave Form Concerts

______________________________________

My friend Al McGee, who is a First Responder and an RN sent me this note he sent to Spotify. I just turned him onto your newsletter and also have cancelled my Premium subscription to Spotify.

If enough of us do it hopefully they will take notice. His comments below hit the mark. He was also previously in the music business as a Manager at HMV.

Always enjoy your posts.

Mike Peters
Pacific Music & Art
? FYI…
Alan McGee, BSc | Fire Inspector
Fire Prevention Office
North Vancouver City Fire Dept.
www.cnv.org

Begin forwarded message:
From: Al McGee
Date: January 26, 2022 at 16:26:35 PST
To: office@spotify.com
Subject: Re: You've canceled your Spotify subscription
?
Dear Spotify Corporation,

Just an FYI....I canceled my premium service due to your weak policy and stance regarding Joe Rogans' (Podcast), via his continued self promotion negating science and reality.

I am a Fire First Responder AND work as an RN, I find the whole thing disturbing, at the least. Interestingly today " Rogan had Jordan Peterson on his most recent episode to promote climate science denial."

I have happily signed up for Apple Music and also understand they support their artists with a higher fee structure along with some form of moral compass.

Anyhow, I am sure this WILL NOT change anything, but I find it sad (collectively) that as a large corporation you can't find a way to have a policy in place, at a minimum, and have basic morals and ethics regarding your talent, at a maximum..

Kind regards,

Alan McGee, BSc, Fire Inspector

______________________________________

I don't know you but have been subscribed for a long time now, avid reader. I'm not in the music business. I'm not a huge NYA fan and he doesn't need my money. I laughed at Pono. But you know what? I subscribed for a year. Paid my $19.99. Good for him, making a stand. I don't need spotify.

Sincerely,

Gower

______________________________________

I've considered leaving Spotify for a high-res music service over the last few months as I've gotten deeper into my audiophile headphone obsession. But I trusted Spotify to launch its high-res service in 2021, as promised. Ek and Co. didn't deliver and have provided ZERO updates since the original announcement of its hi-fi streaming plans last spring, shafting customers just as it has shafted artists with miniscule streaming royalty payments since its inception.

I'm not a Neil zealot, but I like his music and commitment to causes and principle. So, when he made the accurate point that Spotify is encouraging misinformation by coddling its cash cow poster boy/village idiot Rogan, I made the jump and opened a Qobuz account. No regrets.

Spotify is a service of algorithms. But the company's most important algorithm is one that screws the artist and the customer, all in the name of growth and profits.

Sincerely,
Paul Kelly
Marcellus, NY

______________________________________

premium member Spotify since 2019.
just turned 60 yrs young.
believe in freedom of speech ......and also .... words and actions have consequences.

Good on Mr. Young. It would be interesting to hear the chatter now amongst his peers. A charitable, formidable artist taking a stand. That contact list must be pretty large. ... but then again, those rich monthly royalty cheques from Spotify must be hard to turn off.

It seems I'll be getting my streamed music elsewhere. Spotify probably doesn't care my monthly donation has disappeared from their revenue stream .... and that's the wonder of choice in the marketplace.

I was surviving listening to music pre-Spotify and I'll survive listening to music post-Spotify.....there will be other Spotify's.
I will continue to listen to my musical playlists via another means again as well as continue to discover new music through other means (including this e-mail) .... and hopefully will find a music stream which supports artists in a more respectful manner.

...and I'll keep on listening to my chosen podcasts via a little app called: Podcasts ... including The Lefsetz
peace

Ken Hunter in Vancouver

______________________________________

Streaming music has become a commodity, a parity product. I subscribe to three streaming services right now and with one major exception they are all about the same. One may have a song that others don't or one's UI might be a little bit easier to work with, but in the end they're all the same in many ways.

The thing that is not the same about Spotify is that their quality just blows. They promised us lossless or at least higher quality audio by the end of 2021 and here we are without it. I can get better audio from Apple, Amazon, or Tidal, so I really don't need Spotify even though I've been with them since the very beginning. I dumped them because the quality of their music is terrible not because of the Neil Young thing.

Yes, I'm not happy about the Neil Young thing and the fact that Spotify went with their wallet and chose Joe Rogan over Mr Young, but they are a business and they can do what they want. But if there are other services that offer me a better quality listening experience, they will get my money and not Spotify. And bonus, I won't have to look at my homepage full ofall of the podcasts that I will never listen to on Spotify

Businesses make decisions everyday, and they need to live with those decisions. Spotify has never really cared about its users, so I'm guessing Daniel won't be losing any sleep tonight because me, or thousands like me, dropped his service.

Mark Edwards Edelstein

______________________________________

I am a Spotify client, but this makes me question whether I will change to Apple now. I have always been thinking about it, but just didn't go through with it. The outliers have taken over the airwaves. The vast majority is doing what they need to do get through this pandemic, cause people in the end, all what the same thing…
Now we've tolerated people spewing falsehoods in the name of free speech….well nothing's free in this world, and your effects on your neighbours, whether it's taking their place in a hospital bed, or other, shouldn't be free either….there should be a price.

I'm starting by making value based decisions….and thank you Neil for reminding me how good that feels.

Glenn Moran

______________________________________

I know where I stand but the idea of giving up Spotify is hard. But he has me thinking on it.

Michael Becker

______________________________________

I just wish there was a suitable alternative to Spotify. But Apple Music sucks (especially if you're stuck on a PC instead of a Mac). What are the other ones? Tidal? Amazon Music? I don't want a fringe service. If I pay for it, I want all the songs and the ability to seamlessly play them on any of my devices. Spotify, unfortunately, ticks the most boxes (their UX and UI is seriously taking steps backward though).

Sarah Martin

______________________________________

I'm with Patagonia and Neil Young all the way. Unlike his band of hypocrites, it's what Jesus would do.
Gay

P.S. All birthday and Christmas gifts in 2021 were purchased from Patagonia in both Canada and USA.

______________________________________

I have a portrait photograph of Neil up in my house, right above my music stand. He's an inspiration for more than music. He turned out to be the only one who meant what he said, meant what we all thought they all meant, and still stands for the truth. He never sold out. Every other major artist of that era gave in, cried uncle, (in fact we shoulda seen Clapton's disappointing vax behavior coming way back when he sold a song to Michelob beer. He was the first).

There's only Neil.
Paul Gigante

______________________________________

Relative to your disinformation observations, anti-vaxxers can dismiss & deny the efficacy of vaccines all they want; doubt the death toll is accurate & make whatever bullshit excuse they want so they can feel better about their decision.
But here's a microcosm of America:
One of my nephews is a funeral director in Ohio. In the two months preceding Christmas last year he had buried 88 people that suffered covid related deaths.
85 of the 88 hadn't been vaccinated. That's 96.6% of those deaths.
Let's see them spin that.

Frank Palombi

______________________________________

What do you mean Spotify needs a policy?

Do you hear songs on there with lyrics like "Hey kids eat detergent pods. "They're totally safe and the good for you, good for you, good for you..."?

No?

How about this song? "Hail the Nazis. Kill the Jews. Hitler's like God. The Holocaust is a lie. A lie. A lie."

Have you heard a song like that on Spotify?

If not, and we can suspect how Spotify would respond to songs like that, why is it so hard to understand what Neil Young is saying: "Hey hey, my my ... Stop telling people that covid is a lie. And that if they get the vaccine which is desperately needed then maybe they'll die." Or something like that.

Besides this is not a dispute between the NFL and Aaron Rogers. Or the USTA vs. Novak Djokovic. This is effing Neil Young.

This Neil Young:

"Tin soldiers and Nixon's coming;
We're finally on our own;
This summer I hear the drumming;
Four dead in Ohio."

Funny thing is I just got my first smart speaker last weekend and I was enjoying using Spotify as a music source. That said I've canceled my subscription. F*** Spotify. And f***** Joe Rogan.

Thank you Neil.

Bill Lichtenstein
Somerville, MA


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Wednesday, 26 January 2022

Neil Young Leaves Spotify

Who has got more to lose?

For a minute there, I thought Spotify wasn't going to respond to Neil. The news cycle is so fast that if you let it go it oftentimes goes forever, when you respond you're adding gasoline to the fire. Furthermore, Mr. Young removed the post from his website stating his intention. A betting man would say it was a blip on the radar screen, that by removing the post Neil had plausible deniability. But it wouldn't do much for his credibility, just like Adele canceling her Vegas shows when only one person had Covid and she hadn't even gone to see the sets constructed.

Lying, it's the American way.

Also, a few years back, Mr. Young canceled a Forum show in solidarity with the employees, but sales for that show were anemic, was it a convenient excuse?

That's the music business. Known neither for its honesty or transparency. Now more than ever. We've got a zillion outlets which disseminate the news, then again, is anybody interested?

It seems people are interested now that Neil's music is going, going, gone from Spotify. After all, Spotify, rightly or wrongly, has an image problem to begin with.

And financial issues too. Music doesn't scale. So by going into podcasting, other content distribution, Spotify gets a chance to rejigger its financials, hopefully positively. And if you're gonna go, go big, which is why they made a deal with Joe Rogan to begin with. He's got the number one podcast, get him exclusively, it'll jump-start your platform.

No one thought beyond that. Believe me, nearly every decision today is data driven, it's not like Spotify assigned an employee to listen to every Rogan podcast and get back to them with a report. And Spotify had made it clear it didn't represent the views of the artists on its site, so why would podcasts be any different?

Well, first and foremost because Rogan's podcast was exclusive. With a big upfront payment. And Spotify doesn't do this for any of its musical acts. Music distribution is essentially equal on all platforms, that battle was settled half a decade ago, that there would be no exclusives. Those would be to the detriment of the label, the other platforms might not play nice when exclusivity ended and customers on other platforms would be pissed and the disadvantages outweighed the advantages.

Then again, Spotify did not launch its service aligned with one big act, it's not like Zeppelin or the Beatles or a modern act went on a roadshow, was featured in all the ads, no, Spotify was a distribution platform, ultimately agnostic.

But not in podcasts.

So no one expected Neil Young to go through with this. At best there would be endless meetings that would come to a conclusion after Covid was gone. The issue would be put on the back burner.

But Neil doubled-down.

Doesn't hurt Neil, he makes more money from one show than he does in a year of Spotify streams. And his fans are diehards, not casual, they approve of everything he does, and it's not like Spotify is the only place you can hear his music.

But...

I'm already getting e-mail from people thinking about switching services. They're pissed that Spotify still does not have HD/lossless, and they support the little guy. This was the essence of the power of the musician when Neil Young broke through. It was us versus them. We stood up for what was right and they squirmed. They were the establishment, we were the future. And rock stars made so much money they could afford to make a stand, they made more than the corporate CEOs. But that's no longer true. Business is in charge once again. And the mores have changed, now the goal is to become a business! "Shark Tank," apps, people are more desirous of starting a business than a band, both have long odds but you've got more control in business.

Spotify is a business. Daniel Ek did a phenomenal job creating it. He delivered what the public and music industry wanted before they knew they wanted it. If you'd told Daniel Ek to create a number one act in the same amount of time, there's a very good chance he'd have come up empty. You see business has rules, facts. Art is inherently creative and vague, with no rules and no agreement on what is worthwhile and what will hit, it's unpredictable. Which is why it's such a hard road.

So now it's the little guy versus the big guy. Rogan isn't even a factor, what he is saying, the issue boils down to is Spotify artist-friendly or money-friendly? What are the company's priorities?

And no other classic rock act has followed in Neil Young's footsteps. But if you look at the numbers, like Neil, what have they got to lose? They make much more money on the road. And if you pull your tunes they're screwed. Hell, Spotify didn't launch for years in America because it couldn't get every major music group to agree to license their music.

And you know that Spotify would gladly take you back if you left and wanted to return. It's not like they're banning Neil Young forever.

So what's the advantage of having Joe Rogan? They already built their podcast business, Wall Street is impressed. Rogan can go at very little cost. They might have to pay the entire $100 million to get rid of him, but maybe this was a lousy business model, ownership of content.

That's right, Spotify doesn't own all that music, it just licenses it,.

Since Apple was asleep at the wheel, Spotify is now the leading, bleeding edge of podcasting, Rogan's work is essentially done. But Rogan isn't the only podcast they own...

But movie studios and record labels have been distributing content and taking no responsibility for years. Why should it be different for Spotify?

Covid. Right versus left. Life or death.

The coming civil war won't only be fought hand to hand in combat on the street, music is always the bleeding edge, and now Spotify is at the bleeding edge of the civil war. It was trying to be neutral, but now Neil Young is asking which side the company is on. Like that old aphorism, you're either with me or against me, and it turns out Spotify is not only against Neil Young, but the distribution of accurate information. I mean Facebook is legendary as a haven of misinformation. But there's not a Joe Rogan of Facebook or Instagram, not a single individual who can be identified and expunged. Then again, the social networks have canceled the posting privileges of individuals, most notably Trump. Why should Spotify get a pass here?

And misinformation/disinformation is a big thing here. Did you read that Russia is already fighting Ukraine with misinformation? Absolutely. Read this and weep:

"Russia Steps Up Propaganda War Amid Tensions With Ukraine
The disinformation campaign includes claims that NATO and Ukrainian forces are preparing to attack Russian speakers in Ukraine.": https://nyti.ms/348ZryD

Misinformation/disinformation is the scourge of society, it's bringing down democracy around the world. And vaccines have now become a litmus test, which side are you on?

No one's got a problem with Joe Rogan bringing the issues to the fore. Then again, he's got a long history of hosting quacks, and they should not be given bandwidth. I mean do you want Alex Jones giving editorials on the TV news every night? Of course not.

But that's not what Joe Rogan is doing. He's taking sides with the quacks. And these quacks have led to the breakdown of society. Measles was gone, now it's back because of anti-vaxxers. But now it's worse.

Joe Rogan could try and be responsible, state the truth whenever one of these bozos speaks falsehoods. But that's not what he does, like Spotify he's hands off, saying it's not his responsibility, when in truth he agrees with them when it comes to the vaccine. Just like Spotify is endorsing anti-vaxxers by standing up for Joe instead of Neil. You've got to take responsibility.

We might as well call him Dr. Rogan. Aaron Rodgers called Joe when he got Covid. And Joe himself got Covid. And the truth is old people are more susceptible to Covid than youngsters, but people across the age spectrum, even completely healthy, die from Covid.

And vaccines have been cast as a personal choice. Do you get to go a hundred miles an hour on the freeway just because you've got a history of safe driving and haven't killed anyone yet? And as good a driver as you might be, that doesn't mean someone else won't be a doofus, cut in front of you and then cause an accident. You see we live in a society, all together, and unless we look out for each other, we're screwed.

And we're screwed now. Everybody could be vaxxed, Covid would be less of an issue, but no, you're stepping on my FREEDOM!

How was it cast this way?

Meanwhile, the guy who came up with these monikers, like the "Death Tax," Frank Luntz, is rabidly pro-vaccine, he's been on a mission. But it's got no traction, because he, unlike Neil Young, does not have a voice that can reach everybody.

This is where we are in 2022. Do we let the lunatics take over the asylum? Just because a bunch of uninformed people say something is true does that make it so?

This is going to go further. Spotify is just the first, but corporations are going to have to declare themselves, which side are they on?

The leading edge here is Patagonia, which refuses to make vests for corporate retreats anymore, they don't like their brand aligned with the viewpoints and actions of those companies. Patagonia is leaving money on the table, but the end result has been a further burnishing of the brand, and even more revenue!

That's what taking a stand does. And you want to get out in front of the story before you get bitten in the ass. Believe me, Spotify wouldn't make that deal with Joe Rogan today, not knowing what they know now.

But they did, and here we are.

Financially, short term, letting Neil Young go is a no-brainer. But long term? Spotify already gets heat from know-nothings about payments for streaming. It's akin to Ticketmaster, the ticketing giant is a front for the acts and the labels and Spotify is a front for the labels, and the purveyors don't want the truth known. And no matter how many times I write the truth about Ticketmaster or streaming payouts people don't believe it. The artist can never be wrong, the artist is inviolate, the corporation must be at fault!

This is bigger than Joe Rogan. Spotify needs a policy, like Twitter. What is allowed and what is not. And it's got to be damn clear.

And Spotify needs to do what is right as opposed to putting dollars first. Because if you do what is right at the beginning, you don't have to lie and play catch-up when the truth finally outs, which it always does. You want to be ahead of the audience, which is how Spotify made it to begin with, people didn't know they wanted streaming, and now not only is it the most prominent method of music distribution, more revenue is coming in!

People e-mail and tweet me misinformation all day long. Are we just gonna let this stand, let these people be misinformed and delusional? And where are they getting this info, FROM PEOPLE LIKE JOE ROGAN! Joe is so successful that he's got a high profile, but now he's got a target on his back, with the rewards also come the penalties.

But I don't expect further action.

Unless a few more acts pull their music from Spotify, the odds of which are low.

One person can make a difference. You think it's about a team, but usually it's just one person, just one leader. So far it's Neil Young. Is he imperfect? Of course! But so is everybody else. He's all-in, he's absorbing the loss, he's a beacon for truth in a world where everybody puts money first.

And I ask you, which side do you want to be on? One in which money trumps everything? That's how we got here, with mindless nitwits making bank online, with me-too "artists." You either take a stand for truth, justice and the American Way or...

You're the enemy.


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The New Music Dilemma

You can't get traction. And everybody who says they're a worldwide star known by everyone is lying.

Music used to be a controlled marketplace. The big hurdle was distribution. Retail paid incredibly slowly, and they tended to only pay those with a continuing conveyor belt of product. So if you were an indie, even if you could get your record into a retail store and it sold, the odds of getting paid were low, and if you had a hit it would put you out of business. You'd be manufacturing and shipping new product to fulfill orders and then you wouldn't get paid. Music was a sleazy business, a street business, contracts could be irrelevant. It all came down to money, force and relationships.

Relationships are everything. But when the music industry was built you had to actually see and know the people you were dealing with. Ergo conventions. You did business on the phone. Today's younger generation does business via e-mail, iMessage...oftentimes they have never even met the people on the other side, sometimes they've never even talked to them! Talk to an experienced agent, they're stunned how quiet it is in the office, everybody's just on their computer.

And relationships were king at radio. Especially after the crackdown on payola a few decades back. Stations didn't want to risk dealing with indies. Furthermore, radio knew major labels had the resources to support a hit if it took off.

And then MTV made hits worldwide, bigger than ever before and then...

The internet came along and blew up the whole thing, and it's never been the same since.

We live in a pull culture. Everything is on demand. You take what you want when you want it. In addition, if someone is pushing something on you you're turned off. You hate advertising, you do your best to avoid it. The only people you trust are your friends, even Pitchfork was sold to Condé Nast. As for online influencers? They whored themselves out for the bucks years ago, they might make entertaining content, but you can't trust a word they say.

Now the classic rock acts made their bones in the old era, which is why they can still do such good business, why their tunes are still in demand. But if you made it after let's say 2005, with MTV and VH1 dead, it's a very different world. The internet turned a tight knit society into a Tower of Babel. You used to be proud you were an outsider. Now if you're an outsider, you might as well be Pluto, which was demoted from being a planet, so far out there and so small that we don't even care about it, never mind think about it. Rebelling in culture, being dictatorial about choices, approving what should be listened to, is completely passé.

But there is still a hit business run by old men to appeal to young kids. Young kids haven't seen the trick, it's new to them. They're susceptible to the hype. They're building their identity. They want to own something, which is why you can't take a kid to any kind of store, they want EVERYTHING!

As for the oldsters... They know there's always a hit from the past that's better than the ones in the present. Forget that the Doors and Led Zeppelin are forever, the most memorable track of the past decade was "Blurred Lines," and I won't get into the copyright issue whatsoever, but in truth it was based on a Marvin Gaye song that wasn't even one of his big hits!

And now the common belief is that anybody can make music. You can buy your beats online and then rap over them. Very democratic, not very interesting. It's like YouTube, we have endless bandwidth but very little that deserves attention, that blows up, that gets traction.

Not that the major labels don't have some power, but they blow up what independent artists have made headway with. Think about that, the major labels don't sign inexperienced artists, don't develop them and only work with that which the audience has already approved of. If it's new and different, the type of stuff the labels used to sign and stay with until it broke through, the majors want nothing to do with it. It's too expensive and the odds are long.

This happened first in the movie business. Major studios started making and releasing fewer pictures. The marketing costs were just too high. And small pictures got smaller, they required marketing in excess of production costs and they almost never blew up and returned beaucoup bucks, so the studios got out of that business, which is now supported by the streaming services. Still, movies are more expensive to create than music and there are a limited number of slots for them. There's an unlimited number of slots for music!

As for exhibition... Every streaming outlet promotes a top list, but most of their audience doesn't care about it. It's not the Top Forty of the sixties, varied, it's all singular. And if you don't like that kind of music you don't listen.

And hit country music is more formulaic than pop stuff, with a lot less interesting lyrics. So, the mainstream is a backwater.

And the rest of the stuff?

There's a great station on Sirius, XMU. It's kind of like the college radio of yore, back before colleges sold off their stations, but you hear a great track and you wonder...AM I THE ONLY ONE WHO KNOWS ABOUT THIS?

This is a huge problem in music. We don't want to be out there alone, we want context, we want to be a member of the club, and if there is no club, we're probably going to go someplace where there is one. We want to belong. It's human nature. Singularity is death. It's the same way in politics, you're on one side or the other. And if you're afraid of being judged, you just say you're an independent, even though you usually vote one way or the other, usually Republican. That's another thing, we can't take the temperature of the public. Trust NO research, none at all. The people who will talk to pollsters, fill out online forms, are a self-selecting group. Leaving out most people with a life who don't want to blow time working for free. Which is why election forecasting is no longer trustworthy. But if they can't get it right on elections, with all that money and "expertise," what are the odds they can get it right on any other subject? Essentially nil. Which is why Steve Jobs never did research, he trusted his gut, because when something resonates with your gut, there's a good chance it will resonate with someone else's. And to make it in today's overstuffed world something must be great and resonate.

Which is almost nothing in the music world.

Adele? "30" is not in the league of yesteryear's pop music, not even close. Which is why Morgan Wallen's "Dangerous" was the biggest album (in this case double album) of last year. Just listen to it! The songs are catchy, they've got changes, you can sing along. This is what people are looking for, Wallen did not blow up because of those on the right supporting him after he was canceled, it's just the music. Aaron Lewis's right wing b.s. song got no traction, and neither did those "Let's Go Brandon" songs, novelties that got some ink and then promptly fell off the iTunes chart, a backwater unto itself. If someone is quoting iTunes numbers, forget them.

So how can the new music problem be solved?

NOT EASILY!

It demands great music and commitment, and we've got little of both.

Let's start with the second issue. No one today takes the long view, no one can delay gratification. Stay off social media and practice your instrument alone? FORGET IT!

Take years to support a new and different artist before rewards are reaped? The label isn't interested in that, it's got to make its quarterly numbers.

In other words, there's no investment in the future, and when this happens an industry withers. Like the new music industry.

A new and different hit sound? That used to happen every three or four years, maybe five. We haven't had a new sound in TWENTY YEARS!

And it's harder than ever to reach people and even if people bite it takes forever to spread the word, possibly years, because there's so much in the channel, so many other choices and diversions. And people believe that music is a juvenile backwater that deserves little attention, they'd rather watch streaming television, which they can talk about. When was the last time we had a "Squid Game" in the music business...GNARLS BARKLEY? Most people are not interested in the Weeknd and they're not listening to Adele either, if they're listening at all it's to the oldies, which they already know and are better.

Meanwhile, on TV singing shows, which stopped minting stars eons ago, if they did at all, songs are king, But some of today's hits don't even have a chorus, they're sans melody, you can't sing them whatsoever!

And who was the mastermind of the last big breakthrough? Lou Pearlman, who wasn't even in the music business. A hustler crook just like the old record men. He saw a hole in the business and poured umpteen dollars into making his acts successful. And they became so, selling more CDs in their initial week than any acts before them. Just ask Clive Calder, who became a billionaire based on Pearlman's hits and has never ventured into the music business again, who took his money and went home! Lucian Grainge? He's not in the league of Clive Calder, who with his compatriots Ralph Simon and Mutt Lange started off making soundalike records in South Africa and then moved to the U.K. and conquered the business. You see those three knew the fundamentals, they saw the complete landscape, Mutt could make hits with AC/DC as well as Shania Twain and Michael Bolton. Who has that experience today?

Oh, that's right, Max Martin, who Pearlman gave a chance with his bands and still rules two decades later. But Max learned in school, and not only do we not have these specialized schools in America, we've eradicated arts programs from the rest of them. And where they support the arts, like Canada...those are the countries that generate the hits.

So it always comes down to songs. Verses, choruses and bridges. Melody. Riffs. You start with the basics and grow from there. But we're so far from the garden all the flowers have died.

You can't turn the ship of new music around in a day. It will take YEARS!

First we have to show acts we're interested in their experiments, then we have to market them, which is a slow, difficult process.

But what we're really looking for is that one great act. One great act can change everything. Something new and different that changes the whole scene. The Beatles, Jimi Hendrix, Kurt Cobain, outsiders so great the audience flocks to them. We're absent these artists today, and until we have them new music is gonna be in trouble, because it's got to compete with the greats of the past, which used to fade away but now they're just a click away on the streaming service.

As for streaming outlets? They hype what the majors will commit to, they're the new radio stations. But it's a circle jerk of small-minded, small market stuff, which most people don't care about, it's hard to grow a business on that

And it used to be music was a license to get rich. Not anymore, not on a big time level, which is why all the innovators, the square pegs in round holes, go elsewhere. And all VC money left music after the labels held them back by not licensing their music. You want innovation? Go somewhere else.

I mean the industry could band together, have a record of the week, that everybody would be interested in checking out. But the industry doesn't want this, because the track would have to be a one listen smash and most of what they sell isn't.

But we've still got the classics, just like we've got Beethoven, Bach and Mozart. The fact that the public wants these old classic acts is a GOOD THING! We've just had trouble making new classics.


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Aziz Ansari's New Special

"Nightclub Comedian" trailer: https://bit.ly/3s0cgDU

This is rarely laugh out loud funny but I recommend you watch it. It's not much of a commitment, not even half an hour. But it's loaded with truth.

You might have read about the comments re Aaron Rodgers. And they're pretty good, but I'm not sure I like Ansari's perspective that we just all have to get along. I think this is to appease those who might be on the other side of the political spectrum, he doesn't want to alienate them, lose another part of his audience after the dating fiasco.

I don't want to rehash the details, but my ultimate question is whether it really hurt Ansari's career. Turns out most people angry about general .offenses are not hard core fans anyway, and in truth you have to do something really offensive to turn off your hard core fans, hell, even Bill Cosby is on the road. Not that their offenses are similar, one can question if Ansari even committed an offense, but that's in the rearview mirror. And what we've got today is a comedian who lives in London coming back to New York to lay down some truth at the Comedy Cellar.

It takes a lot of strength to live in the spotlight. Especially when you're accused of bad behavior. Which is one of the reasons Ansari lives so far away. But he's definitely an American, unlike Madonna he doesn't have an English accent, and he's performing...

Just like any other comedian in a nightclub.

Being at the club is different. Comedy clubs are usually small, the waitstaff is hustling drinks, which may be part of a minimum, there's constant background noise but everybody there is there because they want to. They want to laugh. They're on the side of the comedian until he or she turns them off. You get the benefit of the doubt, but not for long.

And Ansari's performance is a surprise. That's one of the reasons you go to the elite metropolitan comedy clubs, you don't know who will drop in. Hell, we all now know that to make it most comedians work multiple clubs a night, so the odds are somewhat high, just like if you go to a gig in L.A. of an act with a special guest on the record, there's a good chance the guest will take the stage.

So, the audience is pumped.

But Ansari starts off slow. Just like you would in a club.

And he works his way to Rodgers and Covid and makes the point that this guy is a FOOTBALL PLAYER, not someone held up as an intellectual in either the high school or college hierarchy. The media makes them gods, but we knew them when. And at this point how much punishment has Aaron Rodgers's body taken, how many hits to the head?

But the reason you really want to watch this special on Netflix is because Ansari opines on musicians, who are so busy with their side hustles that music is a secondary enterprise, if they're practicing it at all. How it's all about the money in America. Everybody has got a side business, and this side hustle oftentimes turns into the main hustle.

And Ansari is one of us. A bit nerdy. Not a fashion icon. He's speaking from our perspective, you know, the educated not famous cadre.

Why is it that only cartoons and comedians can speak the truth?

Musicians used to be famous for this, before they became fearful it would hurt their brand. You don't want to turn off any potential customer, because if you do it will be harder to sell stuff, harder to make a deal with the Fortune 500.

And today's comedians tend not to go to the heart of the matter. They find their niche and go deeper into it. Whereas here Ansari is observing the world just like we would. I mean what exactly is going on? It's incomprehensible. And Ansari even references the quick news cycle. And the fact that we're addicted to irrelevant news online. This is something I realize since I've subscribed to Apple News+. Forget the drivel at the end of webpages, that's just a way to make some bread from the brain dead. But I'm paying for Apple News+, and essentially every story has a clickbait headline. To the point where you stop clicking at all. But if you don't click are you out of the loop?

The secondary has become primary. We all know it, but Ansari uses his platform to say it.

It had an impact on me.


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Tuesday, 25 January 2022

Censorship

I only went to law school because my father would pay for it and I had the world's worst case of mononucleosis and I had to get out of Utah. But despite not caring a whit about the law, not ever wanting to practice law, I did learn a few things there.

Then again, this was just after Watergate, which permanently damaged the image of attorneys. Then again, this was back when you wanted your kid to be either a doctor or a lawyer, a professional, to ensure they existed above the hoi polloi, that you didn't have to worry about them, that they could survive.

Ain't that a laugh.

I know this doctor my age who was making 250k back in the eighties, he was richer than anybody I knew. Today? HE MAKES THE SAME 250k!

I'm not saying doctors are poor, but the truth is the model has changed, very few practice independently, they've sold their souls to the hospital chains, and although a few, like surgeons, make beaucoup bucks, most don't. As for lawyers... The biggest story in the business is how the schools have snookered the students into borrowing a ton of money to attend when in truth jobs paying enough to retire that debt are very few in number. Graduate in the top 10% of your class, maybe top 15%, and you're covered. Less than that odds are you won't be able to get a legal job whatsoever.

But if you go into banking... You'll work around the clock but you'll be handsomely compensated. And techies can win the financial lottery. As for attorneys? It's illegal to sell your practice in California, your firm has no asset value, so your odds of getting rich? You'd better be a personal injury lawyer or make good investments or get really lucky.

Now it could be worse. You could have worked for a record label. Read about that Elektra A&R guy who just died, destitute? That's not an uncommon story. The streets are littered with not only broke former A&R guys, but dead ones. I mean a promo guy is a salesman, he can sell anything, and many of them now do, real estate and... But it takes no qualifications to get an A&R job and having done it it delivers no skills someone outside the industry is going to pay you good dough for...

But you still think you want to be in the music industry.

Not that many know any of the above, they're just riding on emotions, forget that they've got no power of analysis, they're clueless when it comes to the law, although if you just read the business sections of either the WSJ or the NYT it's amazing what you'll learn. As a matter of fact, I'm all about self-education. As for law school...I think I learned more in the bar review course than I ever did in class. If you can read and analyze, you don't need a teacher.

And all this is to say that if Spotify cancels Joe Rogan's contract IT IS NOT CENSORSHIP!

Spotify is a private company, it can do what it wants. As can the newspaper and the social media outlets and...

Now it's something different if the place, virtual or real, is the only game in town. There have been rulings saying that you must allow protests at shopping centers, back when they were the center of human discourse, but... Today shopping centers have died, they're empty shells, or have been turned into apartments or offices, and we live in a virtual world, where there are a zillion locations just a click away.

Meaning if one company, i.e. Spotify, decides not to exhibit something, this does not deny the speaker the right to exhibit it elsewhere. It's kind of like restaurants, no shirt, no shoes, no service. You don't have an inherent right to eat at somebody's restaurant, and you don't have an inherent right to be on Spotify. Spotify gets to decide what it wants to feature. And if it says no, it is not censorship, it's a BUSINESS DECISION! There's not a single law on the books that prevents them from doing this. As a matter of fact, just the opposite is true, there's a ton of examples stating just this point!

Not that the average person knows all this.

Hell, I thought my legal education was a waste until Napster came along. It was copyright infringement, any lawyer could see that. And then there was a legal case deciding that. But we'd hear wankers talk about the egregious behavior of labels, overcharging for one good track on a CD...THAT WAS THEIR RIGHT! The fact that practically, as the wheels of the future turned that was no longer a good business model...has nothing to do with the law.

Just like if you lose at trial you don't get the right to appeal and get your case heard all over again. You can appeal ERRORS, but if there are none, the judgment stands.

I don't care if you like Joe Rogan or not, if you want him on Spotify or not, the bottom line is that Spotify has the complete right to cancel him or not. And if they do... Rogan, contractual details aside, has the right to make a deal with any other outlet, of which there are many, or go into business himself. It's not like Spotify is his only opportunity.

As for canceling a conservative viewpoint... Why is it the right calls the left Karens, goes on about how wimpy they are, but continually cries that it is being unfairly silenced? Hell, Fox News eclipses the ratings of CNN and MSNBC. Morgan Wallen was canceled for using the n-word and he still ended up with the biggest selling album of the year, despite the fact that most radio stations refused to play it. Believe me, if Joe Rogan leaves Spotify he won't go unheard, his fans will follow him somewhere new just like Howard Stern's fans followed him to Sirius, AND THEY HAD TO PAY!

Having said that, distribution is king. It's hard to reach people. Which is why no alternative to Twitter has emerged. Sure, start your own brief message social network, Trump says he's launching one, but even before it has gone up there are questions about its financial legality.

So as a society, we are fully within our rights to try and diminish the reach of misinformation, messages contrary to the health of society. I mean isn't that what is wrong, that there are no agreed upon facts anymore? Hell, we have an NBA player saying the earth is FLAT! I mean we're not living in the 1400s, we've got photos from space, isn't this settled science? I guess not.

But do we want this inane opinion on the front page, taken seriously, no, we don't want it anywhere unless it's for a laugh. That's right, let's give misinformation the same placement and amplification as correct information. Because otherwise those spewing inanities will be CENSORED! Well, no. That's not what the law says.

Furthermore, that's how we got into this mess. The false equivalencies in the news. Which prints the right and left opinions even when the right's, and it's always the right's, is just made up malarkey!

And then there's all this beating up of Biden, when the fact is the economy is RAGING! But in polls, people say the economy is the big problem. Huh? That's just because the news has never gotten to them, the facts. As for inflation, it's about supply and demand, and interest rates too, everybody's shopping and because of supply chain issues there's little product and prices have gone up. It's bad that your salary is not keeping up, but every expert says they expect inflation to ease by the end of the year, when supply catches up with demand.

And the fact that Old Joe was snookered by the Republican Congress when everybody on the street knew they would never compromise, that they wanted to thwart anything Biden proposed, is completely confounding. I mean no one's passionate about Joe, but is public passion the only metric?

I mean people are passionate about Joe Rogan, but that does not make him right. And this guy champions Ivermectin, which every test has said doesn't work against Covid. Have you been reading the reports of relatives of the infected arguing for Ivermectin with doctors? That's right, this guy has a decade of training but Joe Rogan knows more. I mean how can you run a society like this?

We're not doing a good job of it.

I mean on many subjects there can be a difference of opinion, there can be debate, but that's not what's going on now. One side is basing its decisions on science, and the other is just making it up as they go!

As for experts... Let's go back to that guy who said vaccines cause autism. HE FAKED THE DATA! The study has been completely discredited. But as a result there are kids without vaccinations today, measles is back.

I mean this is like someone saying swimming causes mental retardation, so then believers stop swimming.

Or that asparagus causes lung cancer.

Or that fresh air leads to agoraphobia in children.

I mean if we can't agree on some basics, we're completely screwed.

So, the government wants to stop distributing the Regeneron and Lilly antibodies because they don't work on Omicron, but Ron DeSantis says NO! He wants them provided in Florida. What next, placebos as vaccines? It's not like the antibodies are political, it's a scientific issue, the companies themselves posted the numbers. And now 99% of the infections in America are Omicron.

Do new facts arise, do we learn, do we make mistakes along the way? OF COURSE WE DO! That's the nature of the scientific method, that's the nature of being human, but now we've got litmus tests, Trump is inviolate, you can never admit you're wrong, you've got to pledge fealty to the team, even if it's a death cult.

Yes, more unvaxxed are dying than vaxxed. The odds are double digit times higher that the unvaxxed will be hospitalized. But my inbox fills up with just the opposite. Yes, I've got tons of e-mails saying you don't want to get the vaccine because it causes you to die if you get infected with Covid, just the opposite of the truth.

And where are these people getting their information?

From Joe Rogan and people like him.

Do we want Joe's voice to be amplified?

OF COURSE NOT!

Of course Joe could stop spreading falsehoods, stop featuring the discredited on his podcast, but he refuses to do this. And when confronted with this issue he just claims he's an idiot. Yeah, right. This guy is so self-satisfied he doesn't believe that whatsoever. So you've got a podcaster with no training acting as the Covid minister of choice. That's right, famous people get sick and call Joe and do what he tells them.

I just want these same people to refuse medical help when they're really sick.

And then Howard Stern says he wants the unvaxxed to be refused treatment and...this is a big story on the right. Yes, Howard was being histrionic, BUT YOU TELL ME TUCKER CARLSON IS NOT?

And the truth is in France you can't go anywhere unless you're vaxxed, and you've got to show a passport to get into buildings. France has got issues, but it's far from an authoritarian dictatorship. Hell, what would be happening in Ukraine now if Trump was still president. Oh, I know, he'd say he spoke with Putin and trusted him... When everybody knows the guy is completely untrustworthy!

I'm not saying the left is perfect, but the bottom line is they've got their feet planted on the ground much more than the right. As for creeping socialism... Unions, higher minimum wage, guaranteed pay...isn't this exactly what the underclass who used to be Democrats and are now Republicans want?

No, they want their freedom.

Well, the truth is Joe Rogan has plenty of freedom. And Spotify has the freedom to say it doesn't want Joe on its platform. Will they do this? I have no idea, but they've got the right, AND IT'S GOT NOTHING TO DO WITH CENSORSHIP!


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Monday, 24 January 2022

Neil Young/Spotify

"Neil Young Wants His Music Off Spotify Over Joe Rogan Vaccine Misinformation - 'They can have Rogan or Young. Not both.'": https://bit.ly/3Ar5j2p

What I hate about anti-vaxxers is they don't know how to use Google.

Today two guys sent me e-mail about Alex Berenson, how he's providing excellent data, he's the authority.

If you Google Mr. Berenson, you'll find out that he's been banned from Twitter for Covid misinformation and is constantly on Fox spewing falsehoods.

Check it out:

"Twitter Bans Conservative author Alex Berenson": https://bit.ly/3FXE9Bl

And:

"The Pandemic's Wrongest Man - In a crowded field of wrongness, one person stands out: Alex Berenson.": https://bit.ly/3u0Grx8

Read the "Atlantic" article, the second one above. This isn't opinion, this is FACT!

If you're doing your own research you've got to use Google or Bing or even DuckDuckGo, your search engine of choice. And the very first article that comes up on Google, the very first hit, is the "Atlantic" article.

This happens each and every day. I've got some ignorant doofus who e-mails me this garbage each and every day. All you have to do is Google and you'll find out the site is notoriously biased and untrustworthy. You don't have to dig deep, you barely have to dig at all.

But these anti-vaxxers don't. So the truth is they really aren't doing any research whatsoever, they just don't want to get the shot and they're looking for articles that support their position.

Now the fact is Joe Rogan reaches more people than any cable news outlet, even Fox. Funny that it takes a rock star to shine a light on this.

As for music, read this article from the BBC:

"More and more musicians are releasing their own music: Here's why": https://bbc.in/3nUS9FA

Bottom line? Today songs break on TikTok, and the truth is the major labels have almost no power on the platform. It's owned by its users and the creators who provide the content. And I hate to tell you, these TikTokkers are not listening to terrestrial radio, and they're not watching late night TV, the major labels' power has been diminished by change in the marketplace. But they don't want you to know this.

It's all about ignorance and obfuscation if oldsters are in charge ad there's money involved. If you think the head of any record label knows how to make and post a TikTok video you're just plain wrong, there's a very good chance they've never even visited the platform. Youngsters have all the time in the world, and they're willing to work 'round the clock in the pursuit of their goal. Suits are into lifestyle, acquisition, clothing, when in truth all you need to post content on TikTok is a smartphone.

I'm not saying that Rogan's reach is a good thing, it's just THE THING!

The labels couldn't truly make the switch to the modern era and nor could traditional media. And I'm betting against Meta/Facebook in the metaverse, because once everybody knows about the new paradigm the established players usually don't win in the transition.

So Joe Rogan gets his popularity from being the voice of the UFC. Hell, boomers refuse to watch it, to them boxing is still king, they remember Muhammad Ali. But today boxing means nothing, except if the match features social media star Jake Paul.

You see the social media stars know how to tell a story, it's all about presentation, whereas journalists employ some of the most boring writing ever. It's all formula. Young people don't even bother to read the paper, and they never will. They're going to be reached another way.

And we live in the era of the cult of personality. Newspapers are faceless. They should build up their stars and promote them to compete with the online kings and queens. But the papers are so busy being egalitarian, keeping everybody equal, that they take themselves out of the equation. Cable news figured this out, it's all about stars, whether it be Sean Hannity or Rachel Maddow.

I'm not saying the papers are not the source of facts. It's just that most people don't get the news from said papers. That's right, when it comes to news print is king. Supersedes everything else. TV has got very few reporters, what you see on screen is just about all they've got, they take their lead from the Big Three: "The New York Times," "The Washington Post" and "The Wall Street Journal." It's all top-down in an era where it's all bottom up.

Yes, you start at the bottom these days, you build your own audience. Don't think about world domination, don't even try to get a deal, just do the work yourself, you have to gather your tribe, and it's the hardest thing to do.

And the people spewing these falsehoods online have been building their audiences for eons, and now they're dominant.

So Neil Young takes a stand. After a slew of doctors took a stand last week. Will Rogan go?

Well, the doctors' blowback was circulated only amongst those with the same take, that Rogan is a fount of misinformation and must go.

But now we've got rock god Neil Young!

Neil Young's new album was featured in every dead tree outlet known to man, and a ton of online ones too. He's back with Crazy Horse, the reviews say it's a return to form.

But it's already gone, nobody cares, there's no action whatsoever.

At this point only ONE song on the album has over a million streams on Spotify. Seven of the remaining nine don't even break four hundred thousand! I don't think Neil can even treat his team to lunch on this payout.

You see Neil Young no longer counts. He's old. He's history.

But it's not only him, it's all the old acts. Not only classic rockers but MTV stars too. Do you know how many years, DECADES!, it's been since their heyday? Young's comeback, playing on stage at the VMAs with Pearl Jam, was in 1993...TWENTY NINE YEARS AGO!

Neil's got four tracks with triple-digit million streams on Spotify, but Fleetwood Mac has many more. Yes, even in the classic rock world Neil Young is not burning up Spotify.

This is no judgment of Mr. Young's music, not whatsoever, but the truth is Spotify could can all of his music, take it down like he wants, and the streaming platform wouldn't be hurt economically at all.

No, the only way you hurt Spotify is to get all the rest of the acts on board. But this is where they make their money, so they're loath to unite in the cause, and some of them are right wing anti-vaxxers anyway.

Which brings us to the strange case of Interscope Records. Burning up the charts with Dr. Dre and his proteges, the blowback was so bad that Warner Brothers decided the label had to go. So, it gave Interscope its freedom and then it was subsumed into the Universal group, the worst of the major labels, and now Universal has 40% market share, dominates.

So, could the same thing happen to Spotify?

Now I don't expect Amazon or Apple will pick up Rogan exclusively for a big check, then again, Apple hosted Rogan's podcast before Joe made an exclusive deal with Spotify.

Can Joe Rogan be killed? Metaphorically, I mean.

Well, in truth you can do it alone, unfettered, and make MORE money. Yes, most analysts felt that Rogan left money on the table when he made his exclusive deal with Spotify. So Rogan wins no matter what.

Then again, if Rogan isn't on all the readily available platforms, then what?

Well, OAN is being killed by the cable companies, it's being squeezed off their systems, which say it's a cost-cutting measure. Who knows the real motivation, but this right wing bloviating nonsense provider has been hindered in its reach.

Just like Trump being off Twitter.

Then there's the story of David Geffen and Geto Boys. He didn't want them on the label, he let them go and they had no success. Then again, Geto Boys wasn't a household name when the act was signed to Geffen. But David said my label, my choice, and acted. But not only is Spotify not independent like Geffen at the time, but it's publicly traded... What's best for its bottom line?

Then again, corporations can be swayed by public blowback, which is what happened with Warner and Interscope.

Then it comes down to the old issue facing Facebook and other legacy companies, are they tech platforms or publishers/media companies? In other words, are they responsible for the content on their sites? They don't want to be, which is why they keep saying they're just tech platforms.

And we can try and thread the needle, but what are we going to do about all this misinformation and the death of democracy, just stay silent as the edifice crumbles? Mitch McConnell changes tack on a whim, no new Supreme Court Justice in the last year of Obama's term, wait for the election, but he lets Trump install a new Justice just days before the 2020 election. Sure, there are rules, but they appear to be malleable.

Spotify already tried to crack down on hip-hop lyrics and then pulled back. But this is just one guy.

Then again, there are other people on the platform spewing misinformation, albeit with fewer fans, but do they have to go too?

And then you've got Aaron Rodgers, who lied about being vaccinated, said he was "immunized," whatever that means, got Covid, missed play, and now says he doesn't believe Biden is the legitimate president. This is the guy who says he was cured by Joe Rogan. Yup, if you've got medical issues don't call your doctor, but JOE ROGAN!

So it's Spotify's choice. Neil Young means nothing to them. The only way to get to Spotify to take action is to make more noise.

But Spotify does have power. Look, Alex Jones's reach has been neutered to a great degree. Distribution is king and if you don't have it you're in trouble.

Used to be the sweet science known as boxing was the realm of gangsters, not to be trusted, fights were fixed, it was a lowest common denominator enterprise. The UFC is barely better than the WWE. Well, it's not that bad, but it's based on physicality, not intellect, and the bozo embedded in this sport of mutilation is who the youngsters listen to, where they get their information.

This is a problem. Neil Young is right. If you want change, you've got to join him. If every classic rock act threatened to pull their music from Spotify, believe me they'd can Rogan. Because if every classic rock act goes, the audience will be pissed, and will go to Apple or Amazon and subscriber acquisition is the biggest hurdle in building your business.

Maybe it's not about Joe Rogan, maybe it's just about misinformation. Twitter has got its three strikes rule, why can't Spotify have the same thing?

Neil Young lit a match, will it turn into a fire?

It depends on you.


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Best Opening Track On An Album.-This Week On SiriusXM

Tune in tomorrow, January 25th, to Volume 106, 7 PM East, 4 PM West.

Phone #: 844-6-VOLUME, 844-686-5863 

Twitter: @lefsetz or @siriusxmvolume/#lefsetzlive

Hear the episode live on SiriusXM VOLUME: siriusxm.us/HearLefsetzLive  

If you miss the episode, you can hear it on demand on the SiriusXM app: siriusxm.us/LefsetzLive 

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Sunday, 23 January 2022

Spotless

Trailer: https://bit.ly/3qWix49

We had to finish this before we dug into "Ozark."

I almost wrote about "Ozark" last night, we're not quite two episodes in, so please don't e-mail me about stuff and ruin it, but what got me so excited, what made me want to communicate with you, was how they got the family stuff exactly right. The only show to do this on an equal level, at least that I've seen, is "The Sopranos." You remember when Tony asked Meadow what her punishment should be and she suggested taking away her gas credit card? Tony and Carmela agreed and then Meadow went into her bedroom, called a friend and said how she'd completely snowed her parents, that they were clueless, that this wasn't much of a sacrifice at all.

Well in "Ozark" you see two styles of parenting, the good cop and the bad cop. Justin Bateman and Laura Linney. That's how it is in most families, and even though the father might mete out punishment he's usually clueless, or he's like my dad, who went from zero to a hundred instantly and took off his belt and whipped me. But in this case, it's the mother, Ms. Linney, who keeps pushing, Mr. Bateman is the softy, trying to see down the line, envision the consequences.

And then there are the children. Who are never completely aligned, They share their status as underlings, and sometimes they're united and sometimes they're not, sometimes they positively hate each other.

Have you been in the midst of a family argument where your two parents are on different sides of the issue, at least re punishment? I certainly have, and they nail this in "Ozark."

But "Spotless" is completely different.

I'd never heard of it. Then Karen Bliss e-mailed me about it, and I watch nothing on sheer recommendation, I went to the data, and on RottenTomatoes "Spotless" got a critics score of 100% and an audience score of 94%. This we had to watch, and we did.

It's a crime story. And by the end of the first episode you think you know where it is going. But ultimately you don't, which is what keeps you hanging on.

AND THE TENSION!!

You know it's not real, but you can't help but get wound up.

But really I'm writing about the performances, most especially Denis Ménochet as the ne'er-do-well brother. He's the glue that holds the show together. At first he appears to be a bumbling, uneducated nincompoop, but as the show progresses you realize he's incredibly wise, incredibly street smart.

And at times charming.

The rules don't apply to him.

So you want to be him.

Not that he's a beautiful specimen, like in an American series, hell, he's got a big belly, but because he is never afraid of speaking his truth, he doesn't play by society's rules, he's willing to go all in on his position.

Not that he's stupid. He knows when it's a losing proposition. But if there's any chance of things going his way, he'll play the odds.

His brother Jean wants to go to the cops, but Ménochet, as Martin, says that in his experience nothing good ever comes from going to the cops. I have to say I agree with this. The cops are not on your team. They are not looking out for you. They'll be charming, play like they're on your side, when that's completely untrue. Not that I won't dial 911 in an emergency, but shy of that...one thing I know for sure, THE POLICE WON'T COME! Ever since 9/11 police have been portrayed as gods, I don't think so.

And Martin can appear a buffoon, a bull in a china shop, and then he can smile ever so slightly, stare at you with those eyes and you're on his side.

And you can count on him. Not when you want to, but when it looks like you're screwed, he reads the situation and shows up, when it truly matters.

And he can relate to the children in a way their parents cannot. Maybe because he's an overgrown child himself, but also because he's got better insight into life than their parents.

Now you know how it is with guests, with family, they can come and stay, but only for a few days. But Martin keeps hanging on and on...

And he gets Jean into trouble. With the bad guys. The equivalent of the Mafia. And you know how that plays out. Certainly Martin does, he says they kill you in the end, and you've got to be prepared for it.

That does not mean Martin doesn't screw up. He's constantly trying to fix the situation by doing the dirty work behind the unknowing Jean's back, but it always blows up in his face.

As for the rest of the characters...

Brendan Coyle as the underworld Nelson Clay is utterly fantastic. Because he's subtle, he doesn't overplay his hand, or the role.

You know, bad guys are always hotheads, or pure evil, or if they're calm it just takes one thing to set them off, but Nelson... He's almost always soft-spoken and dignified, he dresses just like a businessman. There's power in his quietude.

And the kids! Jemma Donovan as the daughter Maddy is rebelling against her parents who are too rarely available, never mind understanding, while testing the limits of society all the while.

Meanwhile, her brother Oliver becomes fatalistic and is into blood and gore and...

You know that Martin and Jean are going to be brought in deeper, but how it plays out...the twists and turns, like I said, are not always foreseeable.

Now the only problem with the series is the ending. It's obviously a set-up for a second season which never happened, you see the original outlet, Esquire, went out of business - at least the one and only season can now be seen on Netflix.

But this is show is an unknown winner, check it out.

And despite being a Canal+ production, it's in English, although you might want to turn on the subtitles!


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Re-Meat/Pop/Covid

I opened a few shows for Meat Loaf in 1977 or 78 (wish I had kept better archives) when "Bat Out of Hell" was breaking and most impressive to me was that both Mr. Loaf (as they NY Times called him) and the brilliant Jim Steinman were both warm and welcoming and even seemed to enjoy hanging out in my dressing room with me and my vivacious back-up singer Jennifer Jakobson (check out her portraits by Robert Mapplethorpe) and legendary bassist Ernie Brooks (Modern Lovers.) Believe me, it wasn't always like that when you were the opening act (i.e. electricity mysteriously cut in the middle of my shows and all dressing rooms claimed by the headliner) but I won't mention any names. I remember Jim telling me he liked the inherent drama of my song "Drive All Night" and we shared a certain camaraderie as we were all part of the CBS Records group - me on Columbia with my just released album "Just A Story From America" and them on Cleveland International. Anyway, at the time theirs was a stripped down show with a super-tight band and no special effects. In fact, the most omnipresent special effect was the white kerchief Meat Loaf used to wipe the sweat off his brow. But what a show! The lovely Ellen Foley had sang magnificently on the album (I got to know her many years later when we were both involved in a song-writing festival in Belgium) but on tour it was raven beauty Karla DeVito who was spectacularly dramatic and the interplay between her and Meat Loaf was like a Marvel Comics version of Romeo and Juliet. The over-the-top quasi-Wagnerian musicality of the Meat Loaf experience was rock opera at its best and like nothing I had ever seen before and in my humble opinion paved the way for Rock meets Broadway which is now an accepted genre on its own. By the way, Joe Stefko (who I already knew from opening shows for Flo & Eddie) was Meat Loaf's powerful drummer and we've remained friends to this day. 

I don't know how long Meat Loaf managed to stay in the celebrity spotlight of the US but he was a rock icon in many countries in Europe where "Bat out of Hell" remained on the UK Album charts for 522 weeks!

From Paris,
Elliott Murphy 

______________________________________

Bob: Thanks for highlighting the role of Steve Popovich in your Meat Loaf piece, and doing it right at the start, not buried farther back, because Popovich played such a huge role in Meat's success. But that wasn't all. When Steve was at Epic, Popovich also helped promote Michael Jackson, Cheap Trick and Boston (and Ted Nugent, so I guess at this point it could be said he was able to work with right-wing boneheads in that he worked both with Meat and Ted). Pop himself though was full of life, a huge Springsteen fan, and always willing to talk about the music he loved, including polka, and not just what was on the charts.

Cleveland International, his label, released great records by Ian Hunter, the Iron City Houserockers, and Ellen Foley. I'm glad you pointed out how much CBS screwed Popovich, and kept doing so, as in my conversations with Steve he never failed to start with that (Steve would never bury a lead). I'm certain it played a role in his death. Of all the "labels fucking over individuals stories," Steve's story is one of the most egregious. CBS lost, repeatedly, but still wouldn't pay Steve until he forced them in court. That story is almost as shameful as Meat's outspokenness against vaccines (and even masks). I miss Steve; and I hope that Meat Loaf's story helps change the minds of the morons who we have allowed to ruin our economy, our health care system, and the live concert industry.

— Charles R. Cross

______________________________________

Thanks for giving Steve Popovich some more love. Pop represented all the things good about our business. He was a great cat, warm, funny and passionate about music. Great promotion man, great A&R man. Great pal, pretty good bass player!

I was fortunate to have him be my A&R mentor. After all his contributions to CBS, the way they hosed him was deplorable. Then again so many of us have gotten shortened in accountings. Royalty departments at the majors are all but inaccessible- it can take years of corresponding only to get an old statement- sometimes not updated.for decades.  Many companies use the fact they have been bought and sold to obscure their poor record keeping practices and lack of transparency. Pop's great success with Cleveland International is a cautionary tale.

That he triumphed yet again at the end of his career elevating his beloved Polka music (winning more Grammys in the process) is a tribute to his indomitable spirit.

Everyone who knew him, still feels his loss.

-Ricky Schultz

______________________________________

Steve Popovich was my mentor. He took me under his wing and brought me from being a good promotion man to becoming a great one. He loved all kinds of music (even Polka) and fought tooth and nail to get it heard, to let the public decide if they liked something or not. The biggest lesson I ever got from him was what to do when a record is just total crap. I would ask, "Pop, our credibility is valued, how can you look someone in the eye and promote something that's just plain bad?" He enlightened me. "Rap, you can always find one good thing about a record. If it's not the vocal performance or the musicianship, maybe it's the song itself, or if not that, maybe the production. But, there will always be at least ONE GOOD THING. Talk about that."

He came to California and played me "Bat Out Of Hell," wanted my opinion as I was an early champion for Bruce Springsteen and was heavily into story songs. But I didn't get it. It was too Broadway for me, too Hollywood. Bob, I think you nailed it about the west coast. I think a lot of us just didn't have that kind of sensibility. Hell, I even had a devil of a time getting Bruce played on L.A. rock radio for a good while. The program directors would tell me, "He's an 'east coast' artist. He sings about giant Exon signs, we don't have Exon here." 

Whatever the case, Pops had a sixth sense about music, he had vision, he could see beyond what most of us could. I know this piece is supposed to be about Meat Loaf, and I eventually came to understand his talent and the masterpiece of "Bat Out Of Hell." But sometimes it takes a village, and in this case I think the synergy between Meat, Steinman, Rundgren, Popovich, and Pops' partner, Stan Snyder all working together, is what made it happen. And I'm not sure it would have without each one of those all-important ingredients.

Paul Rappaport

______________________________________

But there ain't no Coup de Ville
Hiding at the bottom of a Cracker Jack box!

I was asked to leave the LA radio station  KMET with other Epic promo people because we wouldn't stop promoting Meatloaf because it was too east coast! 

Harvey Leeds

______________________________________

A note about Steve Popovich, a guy I miss very much. It's correct to say that Steve was a promo man at what was then CBS Records, but he had moved over to be Vice-President of A&R at Epic Records in 1976. He was instrumental in signing Boston when Paul Ahern and I brought the demo tapes to him at the A&R convention in San Diego. Lennie Petze was the A&R man of record when the deal was made, but Steve was the head of the department. Just before the album was released, Gregg Geller, who was Epic's A&R Director in LA, offered me a post at Epic, which I was thrilled to accept, and Steve immediately took me under his wing. At the New York office in the famous Black Rock building, he put his arm around my shoulder and said, "You're coming home with me, new guy!" We took his car and drove to Freehold, NJ where his wife cooked a great dinner, after which we talked music into the night and then he actually drove me back to Manhattan to my hotel.

When he called to tell me he was relinquishing his gig to go independent, he said it was all about family. He told me that it made him anxious that his parents didn't get much time with their grandchildren, so he was moving home to Cleveland and starting an Epic-associated label called Cleveland International. When they released "Bat Out of Hell," Steve ramped up his promotion man chops and used his network of friends throughout the CBS organization to work that record until it was everywhere. He had as much or more to do with its success as anyone involved. He was one of the last of the great seat-of-the-pants record guys, who could still quote you catalog numbers of records he had worked when he started at CBS. I wish there were more like him in the industry today - we'd be better for it.

John Boylan

______________________________________

I wanted to acknowledge your piece on MEAT LOAF.  There is no doubt that Steve Popovich was the one man on the planet who believed in Meat unconditionally.  My relationship with Pop goes back a long way…we were members of friendly "competing" local bands in Cleveland in the mid-1960s, he as the bass player in The Twilighters and me as drummer in The Starfires. The live music scene was tight in Cleveland, with only so many bars that featured live music.  As a result, the bands crossed paths often, and as a result, many of us became "friendly rivals".  As the years passed, Steve turned his attention from playing music to promoting it, and I continued my playing career with the James Gang.  We remained friends throughout his life, and one of my favorite things to do was to grab a very large bag of WENDY'S, pick up my buddy, Richard, and head over to Pop's office in his house for an unplanned but always-welcome lunch, where we hung out and listened to music with Steve and Marty Mooney.  One day, Steve put in a cassette, and pushed "play" on the tape recording that became the "BAT OUT OF HELL" album.  He had yet to find a label for it, but his undying belief in that record stays with me to this day.
 
You proposed several valid reasons that might have contributed to the success of Meat Loaf and that album.  First and foremost, it took a guy like Pop, with his incomparably great ears, to recognize the potential in this music.  It took a guy like Jim Steinman, who wrote the words and music, thus completing not only the songs, but the thread that runs through the record, telling the story without detracting from the individual compositions.  It took Todd Rundgren, who had enough belief in his recording, arranging, and producing abilities to get all this craziness onto recording tape.  And of course, add Meat, with his unabashed belief in his own talent, and his willingness to go balls-out to get it done.  Then, add the convergence of these talents, to create the finished result.
 
The outcome was and is absolute MAGIC, and I swear Richard and I knew it 30 seconds after Pop began playing that cassette.
 
So just for today, let's forget about things like politics, disease, and anything else that can get in the way of the enjoyment of pure, exceptional music. Meat, Pop and "Bat Out of Hell" achieved that.  I miss that feeling.
 
Jimmy Fox

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Steve Popovich would call me every year for many years after an article I wrote for Variety detailed how many hundreds of thousands of Bat Out Of Hell LPs were exported out of Canada and never paid for because the president of CBS at the time was tight with the goniff that ended up stiffing the label.  He was looking for the dough.

Pop always had a sad tone in his voice.

Still, Meatloaf and Steinman were the masters of a uniquely American bombast that will never ever be duplicated. You can't discount the impact that record had on young America.  They made a Broadway show out of it!

Sad codas all around.
 
Jonathan Gross

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Hi Bob — I have to correct you.  The Meat Loaf album was successful because of Steve and his relentless take-no-prisoners approach to promotion, but also because of the Epic national staff and CBS Records field staff that never gave up until the album was brought home.  Credit also Ron Alexenburg, without whom the album would not have found a home with us.  I was on national staff at Epic from pre day1 with Meat Loaf, saw it all unfold from the start.

No record breaks itself.  Meat Loaf was a particular challenge, a 300 pound guy who performed in a tuxedo shirt, singing those songs trying to break through in an Aerosmith Ted Nugent world.  It was no easy task to get it on the radio and to find bookings.  It took hard work, dedication, and don't-take-no-for-an-answer from a lot of people.

Was Steve an important part of that?  Undoubtedly.  He was a friend and colleague to all of us.  But singular credit?  No.  Please do not rewrite history.

Jim Charne

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Hello Bob,

As I was the Sr. VP and GM of Epic when Meatloaf was signed, I would like to take issue with your statement that the success of "Bat Out Of Hell" was all Steve Popovich Sr. 

First of all Steve was a very close and personal friend to me and my entire family. Yes, he deserves the credit for the signing.

At a CBS Records convention in New Orleans, I introduced Mr. Loaf by the following introduction.

"This next artist was brought to Epic by Steve Popovich who is also the founder of his own label to be funded by Epic, so Lets do all we can for one of our own", please welcome Cleveland International artist "MEATLOAF". He destroyed the night with one of the best performances he ever made.

Yes it was a slow start, but you don't become one of the biggest selling albums of all time without the TOTAL support of the CBS/EPIC records team. There were disbelievers due to the length of some of the songs, and some not liking the music, but the promotion women and men of Epic, in majority, took hold. His live performances and sincere efforts to those supporters, help carry him home. The way SONY treated Steve at he end was awful. This was long after I left my position. I went to Cleveland to testify at a trial when he was in a law suit with his partners.

Your right to say that Steve was one of the most dedicated individuals to any of the artists he signed or promoted when he was the head of Columbia records promotion.

There would not have been a MEATLOAF if not for Todd Rundgren and Steve Popovich, but give some well deserved credit to the people of Epic, PLEASE.

I maintained a relationship with Mr. Loaf as we asked him to induct his songwriting friend, Jim Steinman, into the Long Island Music Hall of Fame via video.

My family and I miss our friend. Steve Popovich Sr, as we continue to wish his son Steve Popovich Jr. success as he continues to operate the Cleveland International group.

Ron Alexenburg

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I'm hitting you back because I cannot stand that "Pop" stuff. Just say it like it was and is, they fucked him and they knew it all along. And, as per usual the "they" never give a fuck. They do the money grab and who knows, maybe don't give a fuck or say "oh really" when the old guard like "Pop" pass onward.

Lawsuits, well though needed they'll kill you in themselves. I once said while in a courtroom with the forces to be, "this bullshit will give you cancer" because it does. They all know when they've robbed a guy and they all don't give a fuck. It's the money grab they do that matters most. And the settlements, even when you withstand the fuckn stress filled day to day grind of the drill and you're paid you still say "wtf, is this what it takes to be treated fairly and to be paid?"  

What a racket. And now Bob get your head wrapped around it man, the Money is what not only does the talking but the walking as well. And they'll indemnify these dumb fucks until the wiser sue them and then tell the dumb fucks, "the board won't approve it." 

Then back to court for more tumors.

Nah, at the end of the day they're all blowhards. It's in print then, "hey, look how rich I am". We're all rich or gone by now Bob or all the wiser, Both!

See ya on the flip. 

frankie sullivan

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I interviewed Meat Loaf at the first Rocky Horror Picture Show convention, February 1978.  The album was out but hadn't exploded yet.  Meat was completely down to earth, warm and humble...he acted as if the other cast members present were the big deal and he was lucky to be there.

(Phil Rizzuto story...how huge was he?   I went to grade school in Queens.  Phil's niece Melissa was in my class every year (we're still friends.)  At the beginning of every class year when the teacher would learn our names, they would always bug out on Melissa Rizzuto.  "Related to the Great Rizzuto?"   Substitute teachers did the same.  By sixth grade the entire class would respond "he's her uncle" in BOREDOM we were so used to the dropped jaws at the mention of Rizzuto. )

Michael Alex

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The Steve Miller Band toured with Meat Loaf in Australia in 1993. The stage drama between he, in ruffled sleeves mind you, and the hot brunette female Broadway vocalist was really quite impressive for an outdoor shed show. Very Beauty and the Beast.
The fact the Tooey's Beer was the tour sponsor made it even more unlikely of a match but I have to say the crowd screamed and the Loaf was loved.
He was very approachable and when he told me he was a shot putter and a lineman in track and football made me like him more. I had done the same and we were both big guys shakin our asses among the skinny and chiseled so we related in our plight. Todd was a wizard with him and Meat Loaf will be remembered believe me. Passion dies slow. 

Kenny Lee Lewis 

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Spot on as always on covid Bob. We are living in a time of mental Darwinism and those that believe in nonsense like the government and bill gates are putting chips in your arm to control you will pay the price. We can blame misinformation on social media but many seek out that misinformation and if you believe all the conspiracy crap you are a mental midget anyway. The thing that gets me the most is the hypocrisy of the anti vaxxers. Idiots like joe rogan and Aaron Rodgers ranting about how awful big pharma is meanwhile when they caught covid they took the monoclonal antibodies. Who do you thinks makes them. Big pharma! The other thing anti vaxxers say is "Well I trust my immune system" how did that work out for almost a million Americans. Or the "survival rate is really high" as if that discounts the millions dead around the globe or all the ppl with long covid. It's one thing to survive but you need to do so with your quality of life intact . The new dumb messaging is people died "with covid not from covid" well when people randomly have blood clots leading to strokes and heart attacks while infected I think it's safe to say it was caused by the covid. Anyway thanks for indulging this rant and fuck the anti vaxxers. Stay safe 

Best
Jarred Arfa

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I can't say I "enjoyed" reading your note on Meat Loaf and his demise. I enjoyed his music. Thank you for the insight. 

But not Covid. Nor what is left of our health system to deal with it.

But every work day (and there's an unlimited amount of overtime) I get to deal with Covid in the Emergency Department. So many people who lack insight or critical thinking. Patients and their families. Some people on this side of the fence. (And oh yes, there is a definite dividing line. We just choose not to engage).Certainly not all but enough to cause physical and mental exhaustion. Every Damm Shift.

 I work with amazing people. From EMT's, Medics, RN's, MD's and countless others in healthcare. The give all they have intellectually and physically. But so many are wearing emotional blinders for self-preservation. Likely in ways I am also.

I've stopped interpreting what patients/family members might mean by saying, "I've done my own research...". Or experts (FB, TikTok, You Tube or FOX) say, "insert dumb ass comment here". Give me an effing break.

Before Covid there was plenty of healthcare, in many large and small ways, that needed improvement. We still fit those injuries/illnesses, and situations in some way as best we can. 

But now? Now we have the seemingly endless supply of, "I was around someone who said I should get tested". Sucking up healthcare bandwidth while sharing "I don't believe the vaccines". "I don't know what's in the vaccines". Like you or I have any clue what's in our cheeseburger, beauty product or if that mold on the cheese in my refrigerator is really Penicillin. Like it really matters. 

Um. OK. 

Then go to any one of the ever increasing test sites. They are FREE with minimum effort. But no, you insist on going to some place that will levy a $$ charge, and clog up the ER pipeline for health/hospital care because...because you're too ignorant/uncaring/indifferent/self-inflated.  And the cherry on this pile of pustulant thought is the very people and systems for health they criticize are the ones they rush to for "take me ahead of anybody else first" with their self-centered thought process.. 

I am no longer surprised to read the, ofttimes daily, missives about one more prominent individual that is oh so wonderful but now dead from the willful anti-vax sentiment spewed and repeated in American society. We won't fight back or correct the misinformation. We won't agree that vaccines are bad/not studied enough/some conspiracy. We won't agree that we should head held high wander backwards to the nightmares of polio, smallpox, tetanus, pertussis, diphtheria. And others. 

But like my colleagues, I will go back to work next shift and do what I can. Heck, maybe I'm the ignorant one as I gown up, glove up and move in to the fray again.  

We've never met and likely never will. I certainly don't leave my small cocoon willy nilly. I enjoy life, my family and much of my work. Despite not having any personal connection I warmly thank you. Please keep writing and sending the letter. I can't read it as often or as fresh as I'd like but it does inform me, gives me background perspectives to ponder, and I get enjoyment from it.

I wish you well. Stay safe.

Dphmicn


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