Saturday 7 October 2023

You Have To Play To Win

Otherwise you lose.

This is an axiom in sports, where defense scores no points, but it's also a truism in music. Want to date yourself, want to stop having hit records? Keep on doing the same damn thing. It's only when you change that you have longevity, but this is so risky most people just can't do it.

Innovation, new, it's anathema. That's what's wrong with America, no one can sacrifice, no one can lose their job. A bigwig told me file-trading had to end, not because of equity, not because of the artists, but because of what would happen to him! He needed his job running a label. That's how myopic this person was.

Change is inevitable, and either you change or you die, you become irrelevant.

The number one example here is the Beatles. Believe me, "Sgt. Pepper" was a surprise. And people are too young today to remember that the Beatles' so-called White Album came with a blank cover as a comment on over-produced record packages, gatefold covers, hype, everything but the music. The Beatles wanted to say it was about the music. And they ended up achieving their goal. Either you keep on pushing the envelope or you die, it's over. You may even keep your job, but you become increasingly irrelevant. Irving Azoff is a prime example. Once a record label titan, he got back into management, but then created GMR, a competitive performing rights agency that lobbies for better returns for artists, and the Oak View Group, which builds and manages venues. Record labels are at the tail end of the music game today, even their paradigm is suspect, sans their catalogs they'd be dead in the water, they don't even know how to break an act, they're the opposite of nimble. And that's what the internet, the digital tools afford. Used to be creation involved heavy lifting, now you can acquire many of the building blocks for free, nearly anybody can compete, and they do, disruption has been the mantra for the last two plus decades. It's especially prevalent in social media, we went from Friendster to MySpace to Facebook to Instagram to TikTok with a stop at Snapchat along the way. The only way Facebook can compete is by purchasing its rivals. Isn't that the story of Threads, that Facebook can't win if it starts from scratch? Threads started without bedrock Twitter features and therefore it missed its window, never mind being tied to Instagram. Putting out half-baked software might work if you're a startup, if you own the field, but if you're me-too not only must you have everything everybody else has, but more.

Kind of like electric cars. Castigate Elon Musk all you want, but Tesla is so far ahead of the traditional auto manufacturers it's laughable. You've got to read Dan Neil's take on the new Mercedes...

"Mercedes-Benz Introduces Hands-Free Driving. How Does It Compare to Tesla? - Drive Pilot, the first Level 3 autonomous system to be state-certified for use on public roads, underscores the difference between Mercedes-Benz's and Tesla's approach to driver-assist technology.": https://tinyurl.com/mxp2zm6t

That's a free link and you should read the article, Dan Neil is the #1 auto writer in America, he's at the "Wall Street Journal." Neil is raving about this Benz, about its auto-driving. But if you read what Tesla is doing...you might not even understand it:

"To cross this uncanny valley of autonomy, Tesla has moved to a deeper kind of processing based on generative artificial intelligence. FSD V12 (using the fourth-generation hardware, HW4) effectively abandons the bulk code front-loaded into previous versions, even a map, relying instead on a series of neural nets daisy-chained together, tasked to learn and mimic human driving behavior by watching video clips. FSD V12 was never told to stop at stop signs; it just knows how humans respond to them, and does that. 

"Initially trained on video clips and telemetry curated from millions of Teslas already on the road, FSD V12 will continue to observe and learn. More data is always better. To that end Tesla has built Dojo, a supercomputing neural-network trainer. Dojo is designed to turn millions of terabytes of video data, gathered from hundreds of millions of driven miles, into something like instinct, reflex, wisdom and experience, to be imparted to succeeding generations of self-driving cars."

Tesla is leapfrogging its own technology. Tesla understands cars are not about iron, but software. And its competitors still don't understand that. VW can't even retool for it. They don't get it. Because they're not willing to invest and risk. Software is an adventure based on vision. That was Steve Jobs's expertise, vision, not coding. You have to know the landscape in order to solve the problem. The questions of yesterday are not those of today.

So it's not only the Beatles, it's Madonna. She kept changing her sound and she survived. Had a long run of hits when everybody else became an oldies act. There might be money in being an oldies act, but there's very little glory, musicians want to create and have their new work accepted. It's one thing to triumph in an era, it's quite another to triumph in another. And I'm not talking about using disco beats, or employing rappers, that's me-too. What you've got to do is continue to innovate. But very few people can do this, and that's why they're icons.

And this is what the public responds to. Always. It wants the new and fresh. You age quite quickly in today's world, you have to shake up yourself before you're replaced. That was the essence of Clayton Christensen's "Innovator's Dilemma," a legendary book most people still haven't read. Yes, you must disrupt yourself.

The label wants more like the old. But that's not what the audience wants. As a matter of fact, the audience can't even tell you what it wants, that's your job.

So Scott Galloway, the business guru of the bros, the hottest analyst working today, talked about a soccer game he went to, in the U.K., the Premier League. His team was the underdog, but the score was tied 1-1 deep into the contest. But then his team focused on defense and the other team won. Defense is a whole state of mind. It's about fear, it's the opposite of aggression.

It's worst in golf, it's well-known if you play it safe to win you lose. You have to continue to go for it.

I can give example after example. But in politics, the Democrats say to play it safe, to go with Joe Biden. Hell, you should see my inbox, people are excoriating me. Look at the good job Joe has done! They're drinking the kool-aid. They forgot how Trump won. Which was by speaking to the hearts and minds of the dispossessed. Biden isn't connecting with almost anybody. Intellectually you might be a fan, but emotionally... Hell, the guy's barely in public, for fear he'll commit a faux pas.

Time after time a celebrity wins political office. Not always do they succeed, but plenty of time they do. Why? Because the public wants something, someone new! That's the story of Jesse Ventura in Minnesota and Arnold Schwarzenegger in California. Ventura was a bust, and forget that Gray Davis would have been better than Arnold, Jerry Brown came back and made people forget that Schwarzenegger ever held the office. Because Brown is a pro. Furthermore, Brown changed his perspective, he was no longer Governor Moonbeam, he was a pragmatist, oftentimes going against his own party. Hell, Brown is like FDR, people would still be voting for Jerry if it weren't for term limits, Californians overwhelmingly adore what he did.

Don't tell me you don't. You might hate the Beatles, or Madonna. No one wins with everybody. And in the heyday of streaming, we've got vinyl. We're talking about winning, that's all. It's rarely universal.

So by putting their faith in Biden, the Democrats are playing it safe to win. As you can see from everything I said above this is a bad strategy, because the landscape changes, never mind the fact that Biden has a record, that can be picked apart. You don't see Biden reinventing himself.

Don't make this about Trump. That's playing defense. I'm talking about playing to win.

Let's make it plain. Can you see Biden debating Trump? Donald will eat Joe alive. And Joe can't get away without debating, it's a bad look, it will cost him votes.

Everybody is an expert until they're not. Just because you spent decades in a field that does not mean your opinion is right today. Usually you're out of touch with the public, the consumer, the voter. You're into your fat cat lifestyle, and you're unaware, you can't see the threats. Today the threats always come online, that's where stories start, both Joe and Donald are jokes when it comes to tech, but I must admit Donald works social media, to his vast advantage.

The parties think it's all about television advertising. This is identical to the majors thinking it's about terrestrial radio. That's an old paradigm, which still carries some weight, but the ball has moved, most records today are broken on TikTok. And it's the same in politics, it's all about online.

And stop asking me for money, empower me. That's a classic story, to the Democrats' detriment. You gave money to beat Trump in 2020, now you can't pick up your phone, can't check your e-mail without an ask for money. Makes you want to give nothing at all. Not to mention these companies reaching out have forgotten the story of CD Now, whose e-mails generated revenue, so they increased the frequency to the point that it put the company out of business. The audience said no mas!

How do I know all this? I'm online all the time. On that smartphone that my aged contemporaries decry. Enough with the digital detox, the denigration of the internet, online is where it's all happening today, from calling up an Uber to ordering food to connecting with friends. And today kids have more friends than ever, and you never lose touch with anybody you ever knew, they're right at your fingertips. Meanwhile, the "pros" in politics and fundraising are doing the same damn thing as always.

Also, I reach a whole lot of people from all over the world. And this direct feedback informs me. I know more than most politicians and writers because I'm on the front lines where the people are. I'm not going to dinner, I'm not a member of the club, I'm sacrificing a lot, but getting rewards in return. But I keep being told they know better. How? They don't talk to the people involved!

And then there's the reverse. Everybody complains about ticketing but there's been no change, even after the Taylor Swift brouhaha. The government still might act, but I can tell you from firsthand experience, the government still doesn't understand ticketing, never mind the public. And it's one thing to identify a problem, quite another to propose a solution. And how you gonna fix the problem if you've got people making 20k selling Taylor Swift tickets?

"Yes, I Just Made $20,000 off Taylor Swift Tickets": https://tinyurl.com/33e9c7wy

Yes, make it equitable and the public doesn't like it! They want to scalp!

I don't need to toot my own horn. You know a whole hell of a lot that I don't know, I guarantee it. But what I'm talking about here is my area of expertise, where I live, all day long.

Go from the gut. Voting is emotional. Check the landscape for emotions. Believe me, I hear from the dyed-in-the-wool Trumpers. As for Biden? I always hear from old people telling me to shut up, not to upset the apple cart. But where would America be if it didn't upset the apple cart on a regular basis? Biden is the apple cart. As was Hillary before him. Or as Bob Dylan put it so eloquently half a century ago...

He not busy being born is busy dying.


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Joe Walsh-SiriusXM This Week

Tune in Saturday October 7th to Faction Talk, channel 103, at 4 PM East, 1 PM West.

Phone #: 844-686-5863 

Twitter: @lefsetz

If you miss the episode, you can hear it on demand on the SiriusXM app. Search: Lefsetz 


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Friday 6 October 2023

Another Brick In The Wall

Marc Brickman testifies:

https://www.youtube.com/watch?v=UEw27M_ApAU


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Biden Drops Out

It's just a matter of when. And it's all because of the press.

Press means almost nothing today, unless it's politics. Those inside the Beltway, the decision makers, the string-pullers, they read and watch with a vengeance, it's the only way for them to take the temperature of the country, to know what is going on, otherwise they're too deep into their hole. And the press has not only turned against Biden, it's actively attacking him, demolishing him, it's amazing Biden hasn't dropped out already.

We know the public doesn't want Biden. Every poll tells us that. The only people who want Biden are aged, imploring us all to shut up and get with the program, to vote for him instead of the evil Trump. The only thing they don't realize is we're already voting for Biden, we're committed, just not to the man. In other words, we know how heinous Trump is, but jeez, can't you give us a choice, can't you give us attention, if not even lip service? No. Because the Democratic party brass thinks it knows better, just like the record company brass thought they could conquer Napster, and look at how that turned out, badly.

But ultimately well. With streaming. And other avenues of internet revenue, all the rights holders had to do was admit yesterday was history and accept that we live in a future where the old rules do not apply.

At first it was the iTunes Store. But anybody who still buys a file is a Luddite, just like those telling us to put our faith in Biden. Time has moved on. Files felt good in 2005, but not in the teens, when Spotify took over. Sure, there are still people buying files, but they're akin to the people telling us to stay with Biden, that he's our man. Hell, Apple stopped making iPods, but there are still people buying files. Who are they? All I know is not to listen to them. Even worse, the "Billboard" charts give more weight to sales than streams, rendering them insider only affairs, a scorecard for those who do not count, looking for bragging rights in a world where most are not paying attention. Quick, what's number one this week? You don't know and you don't care.

In other words, Biden was good for 2020, but bad for 2024. Because times change. And people get older each and every day, in other words younger people are now eligible to vote and getting them to be excited about Biden is like getting them to go spend time babysitting their grandparents, i.e. anathema.

But, it's the mainstream media that is dooming Biden. One opinion piece after another. And the worst thing for Biden is they all ring true. Like in Monday's "New York Times," Bret Stephens says:

"His problem is that he looks and sounds feeble."

Bingo.

Let me quote the whole passage for context:

"Biden's main problem isn't that he's too old. There are plenty of sharp, fit and healthy 80-year-olds. His problem is that he looks and sounds feeble. Trump may be awful and insane and nearly as old as Biden, but one thing he isn't is low energy."

https://tinyurl.com/f73x3ct3

Yesterday I heard Biden testifying about Diane Feinstein... He was low energy, his voice was weak, he sounded feeble. I haven't been able to get that word out of my head since Monday, Biden appears feeble. And never forget, it's not about the essence, but the perception. And that's the mainstream perception, that Biden is over the hill. Don't tell me how his brain still works, don't tell me about his record, if those were important his approval rankings would be higher, and they're not, they're in the dumper.

And then last Friday Bill Maher took a sword to Biden's candidacy and sliced it to shreds:

"New Rule: Ruth Bader Biden": https://tinyurl.com/z9f8dse9

And then today, David Brooks went for Biden's jugular:

"Can We Talk About Joe Biden?": https://tinyurl.com/4z5ee9n9

"Voters know both men very well at this point, so when I hear Democrats comforting themselves that people will flock to Biden if the alternative on the ballot is Trump, I worry they are kidding themselves. Biden's approval ratings are stubbornly low. In a recent ABC poll, only 30 percent of voters approve of his handling of the economy and only 23 percent approve of his handling of immigration at the southern border. Roughly three-quarters of American voters say that Biden, at 80, is too old to seek a second term. There have been a string of polls showing that large majorities in his own party don't want him to run again. In one survey from 2022, an astounding 94 percent of Democrats under 30 said they wanted a different nominee."

Now experts will say that Stephens and Brooks lean right. But in truth, these are the people who will decide the election, non-Democrats who are not enamored of Biden. As for Bill Maher... He might be on HBO, he might be a curmudgeon, but inside the Beltway he's a giant.

In other words, the drumbeat is getting louder. The only defense is Biden and the party apparatchiks. Who are employing the same playbook from 2016, but it's nearly ten years later, never mind that Hillary lost.

So how does this go down?

Well, first there is the issue of whether a Democrat breaks ranks.

This is not Drew Barrymore starting her show during the WGA strike. You see there are very few people on Biden's team, the first person to cross the line will be perceived to be a hero. And it doesn't matter who throws their hat in the ring first, just that somebody does, and then the dam breaks.

And it's got to and will happen soon, because we are reaching the deadline for filing for the primaries. And the aforementioned drumbeat is getting louder and louder and...

If you're reading the blogs, if you're listening to talk radio, you don't count. This is a mainstream fight fought in the mainstream press. The "New York Times" is America's newspaper, its main news outlet, by far. The right may decry the "Times," but it pays attention to it. Most of the right wing agenda is in response to the "Times." As for the Democrats...these are their people!

As much as we live in a bottom up society, we also still live in a top down society in certain verticals, and one of them is politics. We won't really know what the public thinks until Election Day. One really can't trust any of the polls, they've been consistently wrong, it comes down to what the professionals say. And all the professionals except for the party apparatchiks say Biden must go. And maybe Biden will stand his ground for a while, even if pushed, but unlike Ruth Bader Ginsburg there is an alternative, no one can run for Supreme Court Justice individually and triumph, that's an impossibility. But in elections...

So Biden is toast. Keep the heat up. He may not feel it, but those around him are feeling it. And few realize when they are toast, they are informed by those around them, they are the last to know.

As for Trump... We have the opposite situation. The Republican party brass has lost control, and is in fear of alienating its constituency, ceding all power to Donald. Donald can be decimated, it just takes a concerted effort, but if you go against conventional wisdom, against Trump, in the right wing press you are excoriated. If Fox is not on board, people will go to OAN or another news outlet that tells them what they want to hear. MSNBC? A meaningless haven of tribalists. Manna for those who already believe. It's ultimately irrelevant, entertainment. But the "New York Times"? That's everybody's paper. The joke is on you if you don't read it, because that's where the news is made. The "Times" has reporters and blue chip columnists. You might not agree with their opinions but that does not matter, it's all about their influence. Reach and gravitas, if you don't have both you're a sideshow.

Happy days aren't here again yet, but the media keeps getting louder and more frequent. It's over. Biden's done.


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Wednesday 4 October 2023

Re-The Roger Waters Documentary

The reason I spoke up is because Roger's attacks on Israel have too often employed timeworn antisemitic tropes and we are living in a time where there has been an increase in antisemitism worldwide. 

When he says the State of Israel views him as an "existential threat" there is an implication that he is advocating for its destruction. Too often he refers to Tel Aviv as an evil entity; some sort of phantom puppet master that rules Washington and the west and controls the world's media etc etc. His rhetoric is too close to that of right wing extremists past and present. 

Are we Jews sensitive to this kind of language? Absolutely. And I think we have very good reason to be.  

Too many people think Jews should just "get over" the Holocaust. But it's not that long ago that a major power was intent on wiping us off the face of the earth - and succeeded in exterminating well over half of us. For Jews, the land of Israel represents safety. It is the one place on earth where we were never again going to be victims of antisemitism. 
 
In this way, Zionism has become an essential part of the modern Jewish identity. For Roger to say that he is anti-zionist but not antisemitic is naive. It denies how we Jews view ourselves. Anti-Zionist means anti Israel as a country. 
 
By now, we have learned that it is minorities themselves who are best qualified to identify the bigotry against them. And it is time that the Jewish community was heard on this. In my opinion, Roger needs to show some humility and listen to us. You can challenge Israeli policy, and nowhere does that happen more vociferously than in Israel itself and amongst the Jews of the diaspora, but if your language directly or by implication promotes the eradication of the world's only Jewish state, then that is absolutely antisemitism in my book.

Bob Ezrin

__________________________________


Thank you for sending this…I had not seen it.  Disturbing, for sure.

I used to think that Roger Water's antisemitism was a complicated thing to assess.  Was he simply a progressive that believes that the Palestinian people have been mistreated by the government of Israel or did it go beyond that.  I personally think that it goes way beyond that - I do think he's an antisemite.  Why?  Because he says a lot of overtly antisemitic things and routinely uses so many antisemitic tropes in the way he articulates his views to the outside world (both in interviews and his concerts).  It completely disqualifies and discredits him when he says "I'm not an antisemite".  (This is my view, not an official ADL view.)

I grew up loving Pink Floyd's albums (Dark Side of the Moon, Wish You Were Here and The Wall) and, quite frankly, still do, transformational music.  But I'll never support him by buying any of his music or go to a Roger Water's concert.  It's similar to never playing golf at a course with Trump's name on it - just a personal choice not to support people like this.

Jonathan Greenblatt talks about counsel culture vs. cancel culture as a way to describe what the ADL believe is the right way to deal with people who do and say antisemitic and hateful things.  Can we bring them in and educate them so that they alter their behavior and beliefs?  If we can, it's part of how we heal what has become a very divisive world.

Best,

Ben Sax
Chair of ADL Board of Directors

__________________________________


About fifteen years ago, I witnessed Roger Waters get thrown out of Stephen Talkhouse in Amagansett, Long Island. The owner put him into a car, said he wasn't welcome there and to go home (Bridgehampton).

What caused Peter Honerkamp (the owner) to throw him out? Simply this: he was in the cups, got loud and started to rant about the Jews. He certainly upset the whole place. But he didn't stop there, he was spouting QAnon-type nonsense. Fortunately, Peter (who happens to be Jewish) had quite enough and Roger got rogered and was sent home.

I heard later that Roger Waters was hardly welcome in any establishment in the Hamptons, which has a considerable Jewish population. I heard it from his mouth. He's a f*cking pig, absolutely trayf.

Rich Arfin

__________________________________


Although I'm sympathetic to Palestinians as a people and not a fan of the behavior of governments in general, I'm not sure that ol' Roger is making his alleged point by example.

When I was young, in a nearly 100% caucasian community, I heard a lot of "I'm not a racist" immediately preceded or followed by the N word and all the qualifications that came with it. It was confusing to me; it you weren't of that mindset, what's with expressing it epithetically? Turns out, of course, they were thinking in racist terms.

It's probably not the best idea to ask bigots if that's what they are. You ask the parties being targeted first, I'd think. Of course, not all people think alike, but Ezrin is eloquent and fair-minded which contextualizes this affair for people weary of being singled out pretty neatly.

And I rarely trust the judgement of musicians who have been overtly indulged as well as wealthy most of their lives...that stuff frequently breeds an unhealthy sense of self-importance that comes from an unnatural isolation. 

It reminds me of our current political climate, which is abominable: perhaps it's our own fault for paying attention (and electing) these awful people. We give people these platforms whether we understand that or not.

I can't vote for Mr Waters on this one.

peas,

Paul Santo

__________________________________


F*ck him.....you know if the avowed anti semitites  think you're an anti semite you just might be one....

Michael Rosenblatt

__________________________________


I was there in 2009 when it all went down as it was my client who was his lighting director (whom I believe you know).  Waters always was and will be an antisemite.  Truly, he hates the jews because our industry is predominantly jewish and that the "jews" control his income.  One more time, "stupid is as stupid does"…

Marty Tudor

__________________________________


The only opinions that should matter are the opinions of those who are offended.  

Marty Winsch

__________________________________


Thanks for posting this and I certainly won't be hearing Pink Floyd in the same way again!  What  a dangerous misguided man!

John Glatt

__________________________________


The music at the time was exceptional. I still spin the records now and then. 
 
But I'm just not sure what happens to some when they just grow old and want to have a larger than normal voice that music concerts and the internet provide. 
 
I know for me, now in my 71st spin around the sun, I've tried to understand all people and their beliefs. Sometimes though it's just a farking struggle….
 
Will Eggleston

__________________________________


Wow. A narcissistic bully. Imbecile. He is the pig. Hate influencer. I can't understand how he believes his bullsh*t. How can someone who is so brilliant be such an as*hole?

kestan

__________________________________


Disgusting Hit Piece 

Taken purposely out of context. 
And dumb. Rogers uses a thing called irony. Hello. 
It's common among artists also to use context to make a point. 


Bob , You purport Back in the day, that the rock stars stood for something but Not today. That's true. 
Jimmy Hendricks , Neil Young were anti Vietnam war . Pink Floyd were also.

Is being anti war being anti American? 
Actually yes. Today you are a 'Putin puppet' if you are anti-war.

And you are an antisemite if you oppose the occupation of Palestinians. By the way those last sentences contain irony. A la Roger Waters. 

Propaganda rules today. 
And we westerners can't see it. 
Rogers father fought the Nazis. 
His principals haven't changed. 

Today we arm literal nazis in Ukraine. And applaud them in the Canadian parliament. 

Yeah and Roger is the hypocrite.

Michael Brunnock

__________________________________


Wow….pretty damning. I wish they had interviewed more than two people though. Maybe people are afraid to speak out against him?

Carl Nelson

__________________________________


I think the world is a better place with Roger Waters in it and my belief will never change. I don't believe that Roger Waters believes he is antisemite. I think that he believes he's attacking everyone equally. But where there's this much smoke, there's fire. Do the right thing, Roger. Please. 

I saw Roger Waters in Chicago last year (the same show heavily featured in the doc). I came out feeling entertained and had love of all people in general, with the exception of runaway capitalists, fascists and war-mongers. I never noticed anything antisemitic at the show but then again I'm not Jewish. I'm an atheist. 

Dave Warner

__________________________________


Thanks for the link. It was out of character for you to provide this without comment but you picked your moment brilliantly.

My wife and my children are Jewish. Because my kids have an Irish last name, they heard lots of anti-semitic remarks in school. Then, with the dawn of the MAGA era, the slurs made below the radar in the past now seem to be shouted proudly like badges of honor. That is scary.

Personally, I agree with Roger Waters' opinion of Benjamin Netanyahu and his political party. Too often, I have been accused of anti-semitism because of my opinion that the far right political faction in Israel is wrong. The existential threat to Israel right now would appear to come from within. Just like the USA. I do not like being told that I need to shut up about Israeli politics because I am not Jewish.

However, any sensible adult should easily navigate the gap between criticizing Israeli politics and attacking Jews as a people. Roger Waters is so far out of line that there can be no debate. His insensitivity is over-the-top and indefensible.

As far as I am concerned, Roger Waters is now in a box with rock star as*holes like Ted Nugent and Morrissey.

Thanks for bringing this to my attention.

Mark McLaughlin

__________________________________


Thanks for this.

"Functionally, he's a duck."

Ezrin lays it all out. Makes the perfect case. Its ironic that Waters goes to such lengths to promote anti-fascism...only to fall back on fascist tactics and tropes.

He simply doesnt realize who he's empowering. 

Its pure freudian projection on Water's part. 

Bill Seipel

__________________________________


Wow, the comments...a shanda.

Steve Tipp

__________________________________


Thanks for posting this Bob!  Why do we continue to give this pig a platform.

Robert D'Angelo

__________________________________


Bob Ezrin deserves some type of prize.  It's no question in my mind that Waters is showing all the classic antisemitic tropes.  Kind of like, where is the Candid Camera?  I appreciate when Ezrin says:  "To say that you can challenge Zionism without challenging Jews as a people, that's just naive.  It's uninformed and it's insensitive."  We need more Jewish unity and togetherness, so when is there a better time of year than Sukkot which is happening right now!  The Sukkah is a like giant hug and welcomes all humans inside.  Chag Sameach, Bob!  

Rachel Loonin Steiner

__________________________________


This documentary challenges the long-held assertion by the Left that only right wing people can be anti-semites. Seems there's an entire institutional, scholarly, academic curriculum that has fundamentally decided that Left-wing anti-zionism has nothing to do whatsoever with anti-semitism. 

The documentary is useful and relevant because it rigorously identifies the blatant jew-hatred of Roger Waters. Only someone who is seriously gluttonized by Leftist ideology would dare to defend Waters as being solely an anti-zionist. He's a mean, sinister person, with an agenda. When he hung that pig on his stage with a Star of David many years ago, it was abundantly clear that this man was seriously disturbed.

Leon Mayeri

__________________________________


I have a hard time separating my appreciation for his artistry from his loathsome aspects.  Do my best to just listen to Gilmour.   

Clayton DuBose

__________________________________


Nothing but a hit piece, and not a very good one at that.

Gary Ferenchak

__________________________________


Doesn't Roger Waters have anything better to do? What is this guy's problem? You can't say the things he has said and then say you're focus is supporting the cause of the Palestinians. That's a dog whistle.

I have been a Bob Ezrin fan since "Love It To Death" and then "Solsbury Hill" This is the first time I have seen Bob Ezrin, or heard him speak. Bob Ezrin is a mensch. Bob Ezrin is the star of this documentary.  Viva Bob Ezrin!

Cheers,

Thomas Quinn

__________________________________


I've had this discussion with a lot of people who like Pink Floyd (to be utterly honest, I've always found them wildly overrated, a musical freshman year dorm room blacklight poster, with the exception of the occasionally gorgeous? Gilmour solo), and I really think the veil came off when Waters started publicly supporting Putin.  There are a lot of people who in good conscience have real problems with the Israeli occupation of Gaza and the West Bank, but if issues of sovereignty and self-determination are what you care about, then there is no version of that philosophy that jibes with support of what Putin is doing in the Ukraine.  

I'm sure a lot of people might feel inclined to defend Waters to resist eliding criticism of Israel with antisemitism, but the problem is that sometimes criticism of Israel happens to be a convenient cover for antisemitism, and I think sometimes you have to look at the rest of someone's political "portfolio" that way to get a sense of what's driving what.  If you support the BDS movement but are mum about commerce with the relatively long list of other states committing notable abuses (Saudi Arabia, Russia, China, increasingly India, the many countries that criminalize homosexuality, sometimes capitally, etc.), the targeting starts to look questionable - when your moral outrage becomes very idiosyncratic and selective, it starts to suggest that it's motivated by...something else.  

Ezrin's a thoughtful guy and actually knew the man, so he's probably right that Waters doesn't consciously consider himself antisemitic, but that's also not the measure - he's loudly and consistently put himself out there in a way where he certainly looks, feels, sounds and acts like someone who is, and it's time to finally call it all out for what it seems to be.

Jeff Leven

__________________________________


The very best part of it is i watched on Twitter after David Gilmour shared it. 

Alan Paul
Author -
Brothers and Sisters, Texas Flood, One Way Out, Big in China
Friends of the Brothers band

__________________________________


He's gone off the deep end and he's become someone to simply ignore - it's a shame but it happens. He's been sounding more like the wild-*ss Kennedy, not worthy paying attention to.

Jim Gilmore

__________________________________


F@ck Roger Waters 

John O'Connell (Catholic)

__________________________________


Just about everyone in this video made me ill.   Making the pledge  "Never Again to Anyone" a reality requires having a backbone in real time.  Of those witnesses featured, there wasn't a spine among the lot of them.  I know this, because Mr. Waters --like Mr. West-- still has his teeth.  Sickening. 

Charles J. Sanders, Esq.

__________________________________


Hi. As a Jew, I think Roger's response seems reasonable. I don't believe he is anti-Jewish.

"Roger Waters answers the Campaign Against Antisemitism"

https://rogerwaters.com/roger-waters-answers-the-campaign-against-antisemitism/

David Arnold
Houston, Texas

(Note: If you click through and read Roger's screed, be sure to click on the hot links and ask yourself if the resulting articles actually say what Roger says they are saying.)


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Tuesday 3 October 2023

The Roger Waters Documentary

https://twitter.com/antisemitism/status/1707077645559619635


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E-Mail Of The Day

From: Phoebe Katis
Re: The Modern Music Business

Hi Bob

I really enjoyed this read. I am a new fan of your newsletter, and I love the direct & refreshingly 'here's what's what kid' nature of your words, especially with this article. 

I manage two TikTok viral stars who have combined forces into a power group and are about to embark on their second US tour, playing 350-700 cap venues. They sold out 7/9 of their first tour shows, over 3000 tickets. They are the perfect example of what you advise below: artists who found a niche in the intensely saturated world of music making, found and & marketed themselves to their audience, and are now stepping out and jumping head first into the touring game. Transferring online viewers to bums on seats is no easy task, but they are out here doing it better than most. They created something unique and refreshing (as you said, their fans believe they are seeing something they cannot get anywhere else) while being two of the most down-to-earth, funny, engaging, and genuinely excited people I know. They are electric violinist Mia Asano and Ally The Piper (multi-instrumentalist and bagpipes). Their music combines rock, metal, pop, celtic, and so much more; their intense respect and love for their instruments and the history of their musical influences charm the pants off of millions worldwide. 

Working with musicians who get it, as an artist and a manager, is so refreshing. No label is coming to sweep us off our feet. That just doesn't happen anymore. We build our careers first, then labels step in when the time is right to open doors and provide finances we may not have been able to access. And if they don't come knocking? We can do it ourselves! The internet is an incredibly powerful and scary place for creatives. Every day, a new swathe of artists & viral videos & trends come to light; & we either have to say 'not for me' or jump on the bandwagon. Admittedly, this is exhausting. But it is the world we live in as creatives, and we must keep up. This can be overwhelming. This can be demoralizing. But at the end of the day, if you truly believe in yourself as an artist and creative, if you truly believe you have something worth sharing, you'll find your path amongst the madness. Understanding the new world order as a musician and artist is something I certainly wasn't taught in school (I'm 31, and my BA in Music had zero business elements, ha!), but it is definitely something I'm constantly learning about now. I'm intensely proud of my girls Mia and Ally, not only for their own journey but also for what they are teaching me with my own artistry. 

I think you'd like them… here's them in action on their last tour; the music is their cover of The Devil Went Down to Georgia. 

https://www.youtube.com/watch?v=Hmfdus17N7g

Thank you for reading!
Phoebe

www.phoebekatismusic.com


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Sunday 1 October 2023

"Clark" On Netflix

Trailer: https://tinyurl.com/mr233558

I've succumbed to the Netflix algorithm.

What I mean by that is I'm investigating the service's suggestions, which I always pooh-poohed. I seem to have seen all the low-hanging fruit, the best rated TV series of all time. I'm always hoovering for more, and it isn't an easy job, I need something that has great ratings, and therefor I started researching the international series that Netflix suggested and we ended up watching "Clark."

Sounds like an American show, I know. Maybe Clark Rockefeller, if you remember that scandal. But "Clark" is a Swedish show. And in addition to having an 83/81 rating on RottenTomatoes, my research raved about the cinematography.

This is the best cinematography I've ever seen in a TV series. I'm not sure I can think of better images in a movie. What I mean here is not richness, I'm talking about innovativeness. It's a feast for the eyes. Not hard to watch. If I tell you more... Hell, if you're interested, dive in.

So what you've got to know is "Clark" is a true story. It won't feel like one, it'll seem ridiculous, but it's very faithful to what actually happened in Sweden.

But we don't know what happened in Sweden, because we are Americans.

Well, Clark Olofsson invented Stockholm Syndrome. Well, let's just say the term resulted from his winning over hostages in a famous bank robbery.

Clark had a rough upbringing, and immediately turned to crime. Well, he turned to sex before that, but that's his life, one of hedonism and criminality. He's famous for robbing banks. There's not a lot of planning, but when he needs money... And of course he gets caught, but he's escaped jail numerous times (they say seventeen in the series, the internet is not quite sure of the number, but it's in excess of ten). Jail is just a place for him to chill out.

Clark is played by Bill Skarsgärd, one of Stellan Skarsgärd's eight children. He's a tall, imposing, good-looking guy, and you believe he has luck with the ladies, and can beat up people when necessary.

As for the women...

If you're a boomer, you'll remember the movie "I Am Curious (Yellow)." It was a phenomenon, because of the nudity and the sex. Now this is hard to fathom if you're a youngster with access to Google, never mind Pornhub, but that used to be a big deal, and "I Am Curious (Yellow)" was the breakthrough, because the nudity didn't override the concept, as in the film wasn't exploitive, it just didn't censor itself like American flicks. All this to say that the Swedes are uninhibited. Therefore there's nudity and sex and it's got a very real feeling, as opposed to what we normally see in America. And you have full-frontal male nudity too. But the women are not all perfect, and there are scenes of sex that ring true, especially with Clark's long time girlfriend Maria. So despite the hilarity, despite the broad strokes, there's a resonance.

And there's so much. Revolution, hippies, it is the sixties and seventies, even escape on a sailboat. And you're watching, laughing, thinking it's ridiculous, and then when it's over you go online to find that it is all true.

Now I don't want to ruin my credibility. If you're a novice, a newbie, if you just watch what HBO serves up, I wouldn't start your exploration with "Clark." But if you're a fan of international productions, if you realize that the best TV series come from overseas, and you can recommend a number of foreign productions off the top of your head, put "Clark" on your list. On some level, it's indescribable. You can only watch and laugh and be amazed. But in terms of cinematic experiences... What you've got here is a linear story, but within this framework there's a level of innovation in imagery that results in a great leap forward for TV series. If only there was this level of innovation in commercial music.

And one more thing... If you're a cheapskate and watching Netflix with ads... I don't understand it. Does your time mean that little to you? One movie in a theatre can cost more than Netflix's $15.49 a month. But having said that... I resisted paying the extra five dollars a month for 4k. I mean LG OLED is so good to begin with. But all new Netflix productions are in 4k, and even though it improves the experience less than 10%, it does add to your viewing pleasure.

And I'd buy an OLED set. Think about how much time you spend in front of the flat screen. Think of it like buying a stereo in the seventies. Or a computer in the nineties. You want the best. And if you watch streaming television, if you're even paying for Netflix, why not live large for so little money?

Now the standard for OLED is the LG C3. This model, with yearly updates, has reigned supreme for years, this is what everybody in Hollywood watches their productions on. There is finally a Samsung that challenges the LG...but if you know that, you probably don't need my advice. I recommend buying at least a 65" set. That size is large enough to allow you to blend with the picture. If you've got some bread, go larger. But once you go to 77" there's a big price jump, never mind 83." The rule of TV is to buy the biggest screen you can afford. No one ever buys a TV and says there's too much screen real estate, if anything they watch a new set for a while and wish they went bigger. Also, do not mount your TV high. The center of the screen should match the level of your eyes when you're sitting down, in your viewing position. (Having said that, OLED technology makes it so the picture is still good at an angle.) TVs are introduced in January, hit the market in the beginning of February, and are constantly marked down as the year goes on. The list price of the 65" LGC3 65" set is $2500, but even LG itself is now selling the set for $1900. And on Amazon you can get it for $1800. And they even sell it at Costco! The price will drop at least once more this fall, but at some point they will run out of sets.

LG: https://tinyurl.com/5cz89uua

Amazon: https://tinyurl.com/32b2bufk

P.S. I don't want to hear from the holier-than-thou giving me crap for recommending a TV set at this price. If you're proud you are poor, you've missed the message, the joke is on you. As for me...there was a time not that long ago when my eighties Sony was broken and I had to live without a TV at all. I like it better this way.


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Harold Bronson's Book

"Time Has Come Today: Rock and Roll Diaries 1967-2007": https://tinyurl.com/3ze3m94d

I couldn't put it down. And I wasn't planning to read it at all. I figured I'd skim it, tell Harold about some positive points and move on. But I was hooked, I was gobsmacked, because this was my life.

I tell my shrink all the time... I might have been the oddball at Middlebury, a pre-judged outcast amongst a group of strivers studying for the test so they could get good grades and get into a good graduate school, live their professional life in the suburbs, have two kids and retire, but there were people just like me living in L.A. all the while.

Like Harold.

I know Harold pretty well, for decades, yet this isn't about the man but the experiences. There were those of hooked by rock and roll, who spent all of our money on records, who needed to get closer, who never gave up the dream. There's still a record business, but it's not the same. And still a touring business, but it's much more professional these days, and to a great degree still dominated by the old acts, but going to a club to hear a band you'd read about, one that had a deal, but no airplay...those days are through. As a matter of fact, all the days are through. Today's world doesn't resemble the sixties and seventies, never mind the eighties, whatsoever. It's disconcerting, and lonely. There's no center and nothing matters. Wait, did I say that? Does that evidence depression or my age or... If you used to work in the music business...everybody involved started to talk about how it was no longer fun. This was about 2003. Most of these people are no longer working in the business, some are not working at all, some think they are missing something, but I always tell them they are missing nothing.

The labels? There are only three, peopled by overpaid aged lords and underpaid young worker bees. The companies have been hollowed out, in the name of efficiency, in the name of the bottom line. But back in the day... Labels blew money constantly. Every album came with a tchotchke, a t-shirt or god knows what, there were billboards on Sunset Strip and endless parties, every night there was somewhere to go, where you wanted to go, it was a roving band of insiders, everybody knew everybody else, everybody was hustling and then it fell apart, credit the money generated by CDs, the universal promotion value of MTV and overpaid executives and then the internet came along to be the cherry on top. Used to be a national head of promotion made a million dollars, now you don't even know their name, and records are broken on social media, not the terrestrial airwaves. Yes, the live business has inherited the torch, and that is exciting, but there's already been consolidation. There's been a bifurcation, between recordings and live, and all the money is in live, when it used to be the reverse. So there's something to cheer about, yet it is different.

But for about two decades it was the same in tech. Remember when you hoovered up information, dreamed of upgrading your computer, tried new platforms and apps the day they were released? Same deal in music. But that's gone now in tech too.

There's a lot left, a whole hell of a lot left, but it's all niches, we're so deep in our own worlds that almost no one else knows what we're talking about.

I was surprised that Harold wrote about the first time he met me, said my "musical taste is somewhat standard: Eagles, Crosby, Stills & Nash, Led Zeppelin, 'Who's Next,' etc." but isn't it funny that all those acts have survived. I knew all the acts Harold talked about in this book, but I saw no need to demonstrate my bona fides by talking about the obscure, a feature of the cohesive music scene of yore. Today if you're wearing tight jeans, a motorcycle jacket and engineer boots, standing around cutting down everybody else's taste, the joke is on you, because no one cares.

That's what I realized after I winced reading Harold's description of my taste. No one is gonna read this book anyway. No one even reads the mainstream newspaper anymore and "Rolling Stone" is a joke. But my point is there's so much out there that almost nothing surfaces, almost nothing.

But it didn't used to be this way.

Which is why I was somewhat depressed reading this book. Because I remembered the passion, the excitement, the thrill...music was everything! But you're not gonna read Harold's book, even if you got it for free, I'd have to lock you up in a room and force you, because it's very hard to get anybody interested in anything, to spend any time with anything, unless they've got a burning desire to do so. I ain't gonna listen to more than fifteen seconds of your new song if I don't like it so far, and the real wakeup call is that no one else is gonna bother either. Our time is just too precious. But from the very beginning of Harold's book I was hooked, because this was my life too.

Harold was in Westchester (California, not New York) listening to the radio, buying singles... Hell, he even mentions "The Martian Hop," which was the very first single I bought, my mother purchased Four Seasons records previously, but this one I wanted, I needed, to be able to listen to it at home whenever I wanted.

And then there were the bands...

Yes, reading "Time Has Come Today" you'll hear stories of all the classics, from Badfinger to Ozzy, all the acts that had any traction back in the day. But the weird thing is most of them are broke. Working a day gig. I was having dinner with a friend who worked at the Enclave, he pulled up a picture of Tom Zutaut online, he's selling Kias now. Honorable work, but a far cry from signing Motley Crüe and Guns N' Roses. Everybody thought it would never end, they didn't save, they woke up one day and they'd been ripped-off, no one cared about them and they had to get a day job. Really, it will blow your mind. Dick Dodd of "Dirty Water" fame, you know, the Standells, is an assistant manager at a restaurant, he asks Harold for a job in the Rhino mailroom.

Yes, this book is a compendium of who's who, what was and where they're at today and in most cases it's not pretty. Life is short, but it's also long. These acts were on top of the hill, but in retrospect it was only a few years, and after that?

These people are icons to us. But the younger generation in most cases does not care. Like Arthur Lee and Love. The album "Forever Changes"... I'd had an interpretation in my head for decades, but in truth the title is what Arthur Lee said to the girl that he said he'd stay with forever when he broke up with her. Yes, forever changes...

There are an untold number of nuggets like this in the book. And unlike in Harold's preface, you should not read it randomly, but from the very beginning, it's linear, as is your life.

You will be reading the book and pausing constantly to look up old people online, to see what they're up to. I was at this girl's house in Westchester (New York), and we watched Iggy on TV, there was a concert broadcast and it was a big deal. Now let me look up Lisa today...

And the people I went to gigs with. High school. What ever happened to them? To tell you the truth, I've looked up everybody I know already, mostly decades ago, but I'm always hungry for new information. But now it's even harder to find the obscure, there's just so much information.

Yes, so much of "Time Has Come Today" is obscure, but not to us.

So the first half of the book is about Harold coming of age. Going to UCLA. Graduating. Trying to find his future and purpose. I knew he lived next to George Carlin, I did not know he bought a red Firebird convertible, which promptly lost its water pump. This was back when cars were not reliable, when what you drove in L.A. was important, when the young were too inexperienced to know that you stay away from certain automobiles. Like if you're young and not rich today absolutely do not buy a BMW, great car, but the repairs will bleed you dry. But you've got to know, it wasn't until the mid-seventies that the public realized that Japanese cars were so much more reliable... I read about a Lexus LS400 with just shy of a million miles on it, with no engine work, no nothing. A Lexus doesn't drive like a BMW, but it lasts a whole hell of a lot longer for a lot less money.

Then Harold finds his footing with the Rhino Records label and some of the stories are inside, but you read and you learn so much anyway. About the Monkees, about Gene Simmons. Invited to Gene's birthday party, Shannon Tweed tells Harold "Gene has no friends. It's all business contacts."

Every week, if not more frequently, people e-mail me about their book, they insist on sending it to me. Like I've got time to spend on their crappy tome. And they're almost all crappy, because in spite of the stories, books are about writing, and most people can't, write that is. Writing is a skill, you have to develop and stay at it. But since people wrote in school, they think they can write a riveting book. No. There are exceptions, but very, very few. Like the Harvey Lisberg book.

But Harold's book is on another level. Because it's diary entries. So the superfluous is edited out. He talks about going here and there, what happened and his judgment thereof in most cases in just a paragraph. All wheat, no chaff. So you don't have to see someone try their hand at flowery language, it's just the essence.

So...

If you're a youngster, you're not interested.

If you're a Gen-X'er, you're probably not interested either.

But if you are a baby boomer and you were bitten by the music bug, if you still live to play your records and go to the show, Harold's book will pull you down a rabbit hole and you won't come up until you're done. You'll be thinking about getting back to it while you're at work, doing other things, because "Time Has Come Today" is your life, you were at these shows. I saw George Harrison at the Forum with his hoarse voice just like Harold. I saw the Dolls at the Whisky. And unlike Harold, I was at the Troubadour Christmas eve when James Taylor, Carly Simon, Joni Mitchell, Peter Asher, Linda Ronstadt and Albert Brooks came on stage to sing Christmas carols with Flo & Eddie. There were maybe a couple of dozen people in the room. It was shocking. You had to be there, which is the point, we were there, it was the most important thing, to know all the records, see all the shows, and if you missed it, many times you missed it forever, like Harold, who went to see Flo & Eddie at the Troubadour two nights later and... You always wanted to show up, you needed to show up, it was part of your identity.

So if Harold thinks my writing about his book is gonna cause a landslide of sales he's wrong. No hype does that anymore, none. You've got to hear about it from a number of people, frequently one trusted source is not enough. And you've got to have the money and the time, and those are big hurdles.

But if you are a baby boomer rocker, "Time Has Come Today" is manna from heaven.


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