Re-Rock And Roll Hall Of Fame

Bob

Ha ha! Right on. The music business keep recycling what went before, except they don't know about melody, or want to know about it. Is it still possible to write a compelling melody? Absolutely. But we get recycled simplistic non-melody songs, for the most part, or the same few melodies (see Nashville output).

Rock is now 60 years old! In the 70's big band had only been out of style for 20 years. Now, today's teenagers are still be forced to listen to their grandparents' or even great-grandparents' music.

Yes, music ruled the world, briefly, as it turned out. Now, it's back to selling soap, but maybe, just maybe, there's a kid in a little club somewhere........

bernie leadon

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Perfect!

Peter Noone

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Bob ... I do not believe Steve will ever be inducted into the R&RHOF as long as he lives, nor do I expect him to win a Grammy. Steve has treated music industry executives with disdain his entire career and most of them really dislike him intensely.

I remember Dick Hodge and I negotiating Steve's contract with Doovid Barskin of Capitol Records ... Steve rejected every counter offer Capitol made and kept asking for more until we got the highest royalty rate in the industry. Glen Campbell had the best rate at that time, and we topped his by a few cents more, and obtained total artistic control for Steve. Steve was obtaining a true measure of success at this time, and he was in a real position to leverage
what he wanted, Capitol could not recover any advanced royalties, and had a limited time period to press and distribute Steve's music. Steve had retained all of his publishing rights as well.

Steve is known throughout the industry as not putting up with any Bull Shit from record companies or promoters, and has pretty much operated as his own manager over the years. He has, however, retained an excellent business relationship that has made him a very wealthy man.

For all these reasons Steve and his band are scarcely recognized in "politically" controlled music industry awards and events. I agree with you that the R&RHOF was a well intentioned concept, but has, unfortunately, turned into a misguided joke.

Again, thanks again for being so kind to acknowledge Steve and his contribution to the real Rock and Roll.
At 71, Steve and his band are touring almost continuously performing to sold out venues throughout the World. Remarkably, he seems to be at the peak of his abilities.

Bud Miller

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Can you explain why my brothers band Chicago is not in the RRHF? 46 years and 30+ records. So strange how thy run that club.

Lauren Scheff

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a joke. no joe cocker, chicago, yes, todd r, sting etc. but the e street band is honored even though they're essentially a backing band that has never written a song and were fired by their boss in the 80's (oh....sorry, certainly bruce's wife deserves this over other viable candidates). in fairness, induct tom petty's heartbreakers who at least contribute to the music and have been by his side for an entire career. what started as honoring great artists who represented a true american art form has disintegrated into another vapid tv awards show. what a shame.

Michael Leon

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Bob-

You want the Hall of Fame to be relevant? Put photographers in it.
And I am NOT lobbying for myself - far from it.
People like Jim Marshall, Gered Mankowitz, David Gahr, David Bailey... and later on Ethan Russell, and others ....those were my heroes growing up. They were the people that brought the music to life on every album cover and on the pages of the handful of magazines that ran rock photos back then.
They deserve to be recognized and honored as much as any band or artist you can think of.

Neal Preston

Ps
Emerson Lake and Palmer!

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normally i don't chime in on your commentary
in this instance I feel compelled to

The Rock and Rock Hall of Fame has been reduced to Jann Wenner's personal toy anda feeble excuse for a HBO Special.
Oddly enough the recent I Heart Radio special on NBC was a better reflection of music television than the Hall of Fame show
or for that matter this years Grammys

John Beug

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Right on the money, Bob. No Steve Miller? That is a joke. Soon artists will start to think about asking for their names to be removed. Watch it happen.

Guy McCreery

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Amen from a good friend of Steve's. I just asked him about that the other night after a show in Austin.

Watt Casey, Jr.

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Is King Crimson in?
What about our friend Steve Lukather's band Toto?( I'm serious Bob)
These groups made incredible records and sonically in their era were the master records

Maybe they should do this every 4 years like they used to do the Olympics

For that matter what about Mariah? Didn't she assist in the biggest era in the industry....

I mean no disrespect to Ringo as I love him and his band is all our close friends in a revolving door

Doobie Brothers/ Chicago?

Who knew

Chris Apostle

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ELO / Jeff Lynne
Chicago
Cheap Trick
Yes
Harry Nilsson
Joan Jett
Deep Purple...

Never mind. I give up. This makes my soul hurt.

Trey Callaway

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Hi Bob,

Thanks for this. I'm not so upset about Ringo getting in as I am the class with him: Green Day and Joan Jett do NOT belong in the Hall before Steve Miller, Todd Rundgren, Yes, the Monkees, Paul Revere and the Raiders, and especially Chicago, who'd been a top-selling band for more than 30 years.

Peace,
Tony Pizza

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Don't forget to add Chicago not being nominated, you should write about the politics between them and RS. Jokingly adding maybe it had something to do with naming their albums as numbers instead of titles (except one or two I recall).

long time fan (of yours of course)
Frankie Ball

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What can the criteria be if it took Hall and Oates this long and Chicago
still aren't in? Forget Todd Rundgren or Little Feat.

Hall of Fames should follow some chronology (older bands first) not hop
around in time with no apparent rhyme or reason.

But while the induction process may be a frustrating head scratcher, the
exhibits and artifacts resonate with any music lover. Lennon's
hand-written lyrics, Beck's Fender Broadcaster from "Having A Rave Up",
Janis' Porsche, the Temps gold-plated mic stand, a piece of Otis' plane,
John Cipollina's amp and guitar, Rod Argent's electric piano, etc.

The R&R HOF+M is absolutely a great place to visit if you happen to find
yourself in Cleveland.

A lot of these pieces are real goose bump material and the beauty is
everyone experiences them in their way. Neither Jann Wenner nor politics
can screw that up.

William Nollman

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And how about the ACM Awards being in a 75k Seat venue if that's not about money than I don't m ow what is...

Matt Gaines

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Bob, the rock 'n roll Hall of Fame has been a piece of shit for a long time. They are people who don't know good music. It's a joke.

Nick Wegener

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Happy to see Rush, SRV & Bill Withers get in .... Besides Yes, what about Deep Purple, Journey, Bad Company, Iron Maiden, Scorpions, UFO, Judas Priest, Boston, Foreigner, and , Pearl Jam?

Shawn Kilmurray

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It's all about the numbers on the telly! Like last night with one of the Jonas' Spawn on the ACMs. Country, my foot! They were there for the viewing numbers, not the Country rep. And, anyway, most country nowadays is second-rate classic rock. Dregs.
And that troublesome HOF...we'll never see deserving artists like Paul Revere and the Raiders, Procol Harum, Warren Zevon or Poco in there. What a joke.

-Sean Anglum / Colorado Springs, CO

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Glad you mentioned Yes as that's a good example

Roger Maltby

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Bob;

I agree with you 100%; however a much better example of your Yes point would be Procol Harum ,who were always a far better live band (I saw both in concert in the early 70's), recorded more accomplished and innovative albums and leave a far more dynamic legacy than Yes ever can.

Stephen Dessau

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It's interesting that you mentioned the band "Yes". Yeah that is a real head scratcher. They basically invented a genre.
An outstanding band and they certainly should be in there.

Peter A. Barker

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Bob,

R&RHOF…A bunch of Music luminaries getting together to pat each other on the back telling each other how great & rich they are.

RS

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My two biggest complaints about this year's class: Joan Jett and Bill Withers. I like Bill Withers music a lot. Soulful voice, great melodies. Good enough to be among the "elite?" Not a chance. And don't get me started on Joan Jett. I went nuts on her on my podcast, Top 5 Records, because she is terrible. All of her hits are covers. Hate Myself... isn't a cover but it's a fucking horrible song! If she is getting credit for The Runaways, why not induct Lita Ford? Did her solo music really influence anyone? Did it bring us Miley Cyrus? Thanks for nothing!

Pete Guzik

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Bob,

I am not disagreeing with you (I don't think, I'm not sure), but if the Hall of Fame were simply called the "Music Hall of Fame" would you feel any better? I would because the RRHF includes some amazing inductees...who have nothing to do with Rock, the genre.

How do you deny a true artist like Bill Withers, who is in all ways qualified for the kudos--except that he's not Rock? You don't. You include him--you make sure that future generations know his name by virtue of a permanent account. But you don't call the damned building in which his memory resides the RRHF.

Kyle Osborne

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I dearly wish that what you've written here is somehow not true. I really do.

But everyone who has lived a life of music knows that it is.

And they thought the Hindenburg was a disaster....

Dave Dalzell

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Steve Perry hasn't been inducted so RRHOF is irrelevant.

Lisa Gregory

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The RRHOF is a business. It has no true relevance to the music.

Frank Gagliano

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Bob,

The R&RHOF reminds me a lot of the Hollywood walk of Fame. Used to be you had to be one of the classic bona fide Stars. Now you just cough up the dough.

Kaley Cuoco is getting a star?? Clint fricken Eastwood doesn't have one??!!

I think Kiss and Rush deserve to be in, but Madonna and NOT Deep Purple??!! And of course a band like Yes, can the committee NOT recognize the talent in that band??!! I also love Steve Miller's early work

All other genres can get their own HoF, leave Rock n' Roll the hell alone.

Cheers

Mitch Nixon

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Bob,

I hope I won't live for the day when Skrillex is inducted before Tommy Bolin.

Great post.

Rob Penland

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Chicago, Grand Funk
RR, J Geils, YES, Moody Blues!!!
Why us one hit wonder Percy Sledge in RR HOF and other one or two hit wonders ?
Poetics of dancing when rappers and one hit wonders are in it BS!
Thanks
Doak Turner

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Hi Bob,

I love your blog and never responded before, but I think I can go one better. When Jim Henke was curating for the opening of the museum, I spoke to him about Jerry Leiber and Mike Stoller's incredible collection of historical memorabilia. This included the 78 of Big Mama Thornton's "Hound Dog" with the actual Cash Box race charts from 1953, the Hound Dog contract co-signed by their mothers...they were only 19 when they wrote it, a 78 of "K C Lovin," the original Kansas City by Little Willie Littlefield, etc etc. There were boxes that included rare session photos of the Robins, Coasters, Drifters, Brill Building shots, young Mike and Jerry with Elvis. Tom Dowd, Nesuhi and Ahmet Ertigun. Mike and Jerry were the very first independent Music Producers when hired by Atlantic -a title that Ahmet deemed appropriate and it then became a thing.

I say this because after logging for a month and shipping these treasure boxes, just a very few of these items went on display, along with one or two things from Doc Pomus and a few others in a small case in the back of a room. Michael's glove, rock star costumes were in full regalia.

Decisions were out of Jim's hands and politics ruled before the museum even opened.

Bobbi Marcus

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You know what killed Rock N' Roll? No one is writing to survive. There were times when the only route they had off of the streets was through their music. Now suburbia kids are playing like they're the Ramones and it ain't workin'. Desperation fuels creativity.

Hip Hop boomed because of the same thing. Rappers literally had to write hit songs or die or starve. Now that industry is also falling to kids of comfort.

Folk on the other hand is exploding. You know why? Go to Folk Alliance International or the Folk Music Ontario Conference in Canada and you'll see why. Most of these artists are gypsy's. They have to write to survive. They go from Folk Festival to Folk Festival in the summer bumming rides or scrounging bus fair. They have to write their way out. Just a few years ago main streamers would frown at the very word 'Folk'...now the stuff is all over HOT radio and the big stars are trying to add acoustic guitars just to fit in.

Give me desperation again...great art comes from great pain.

largemanagement

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The one thing I find baffling is how Hip-Hop and Rap still looks and sounds exactly the same since its emergence into the main stream back in the late 80's/early 90's. I'm not talking about Ice T or Ice Cube or Wu Tang Clan of old but seriously the look hasn't changed, the attitude hasn't changed and it's all about the bling, bitches and ho's. I don't get it, that's like the industry churning out the same big hair 80's bands to this day. That would be laughable but Hip-Hop and Rap continue today with the same look and crap and it's considered hip/current and they're still making a ton of money doing it.

Will it ever go away like rock did? I doubt it and that about sums up the attitude of the listening public today. EDM will continue albeit without innovation there will be this Generation Me listening and breaking hips in the old folks homes when it's there time to be put out to pasture.....

This is what's wrong with music today, people listen to what they are told to listen to and if there is a star involved and they worship the hype, they'll always be the mindless sheeple who will follow it.

mmpoppa1

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Hi Bob

I agree with so much of what you said.

I never pay attention to the Hall of Fame. But this year it had my attention.

I was 17, lived in Montreal and discovered a little club / coffee house called the New Penelope. I went there like an acolyte going to the alter of music. Didn't matter what it was called. But it was all damn good at the Penelope.

I saw many blues and roots legends. And I was introduced to the sounds of south side Chicago by the Paul Butterfield Blues Band. On multiple occasions I sat about 10 feet away from them in this little gem of a club. They changed my life. I've never forgotten those days. I had never experienced anything like it. A club that held probably no more than 150 people. No liquor. Didn't need it. We had killer music. And I was being baptized at the fountain of music.

So when I heard that the Paul Butterfield Blues Band were being honoured, I was very very happy.

I wasn't in Cleveland last night. I couldn't watch it on TV. Didn't matter. I was, in my head back at the New Penelope in the kind of venue I love watching and listening to the best electric blues band I have ever heard. Yeah and I was only 10 feet from the stage. No one screaming. Just digging it.

Good for Paul, Michael, Elvin, Mark, Jerome, Sam et al.

Regards

Bob Bisnett

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Back in the mid-90s, I was a rising young gun in the advertising industry. One of my shop's clients was the Rock & Roll Hall of Fame + Museum. We were their first agency, as I recall. Oddly dull and uncreative client to work on. The decisionmakkers LOVED Elvis, the Beatles, Buddy Holly and 70s rock. They had little regard for Blues, electric blues which birthed rock and roll. Hell, even the phrase "rock n roll" was old Black Blues jukejoint slang for sex/raucous times—not that anyone connected with the rock hall then knew or cared. They'd jump through hoops courting white artists they dug/thought would be draws to loan them memorabilia/make appearances. Some even got compensated for loaning their stuff out. But the Black artists? Not so much. If you gave the hall something, it was an honor to be asked and you'd better have obliged The Hall's requests - for free. If you didn't play ball, then screw you. (ask around, you find that that was their m.o. for more than a few years.)

When we started on the account we had to go visit the place as it was being built/renovated - in Cleveland, which had as much rock n roll authenticity as Iggy Azaela has hiphop. My first trip to the place it didn't just look like a museum, it looked like a set piece out of the Bonfire of the Vanities - stale, sterile, white, glass, metal... Nothing "rock" or "roll" about it.

The story we got from a couple board members was originally the RRHOF was gonna be in New York which supposedly beat out Chicago and Memphis; but Ohio came thru with a bid at the last minute. And since was OH was already home to more hall of fame's than anywhere else in the US (mostly sports related ones) and they had connections and a system in place for building more HOFs, not to mention a ton more open land to work with than New York, so their bid won.

In short, the Rock Hall was literally built on politics, cash and connections from the jump.

So what you're seeing today is what you've seen for decades... just the RRHOF being the RRHOF. It is what it is now, because that's what it was always meant to be.

such is life.

Hadji Williams

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Bob,

You make some very good points about the lack of innovation and envelope-stretching on the current rock scene. That's like shooting fish in a barrel.

And of course there is a lot of controversy and probably a somewhat flawed process of how artists get inducted into the Hall of Fame.

But from my perspective I just have to say that there are a lot of artists who see being inducted into the Hall as a career validation -- a reward for giving so much music to so many people for so many years. An honor from a group of folks, many of whom are peers (all inductees vote in subsequent years).

I don't think that's unfair or necessarily a bad thing.

Sure there are probably a number of artists who maybe shouldn't have been inducted. And sure, we all have a list of artists we believe should be inducted.

That's not a whole lot different than the Baseball Hall of Fame, or probably most, if not all, Hall of Fame institutions across the board.

OK, so we all could have done without Fallout Boy doing the induction welcome speech for Green Day -- I would have though they could have come up with any number of intriguing better choices there. But that was really the only "false" note last night.

I, like you, celebrate music every day of my life. Sometimes in the privacy of my own home, sometimes at a concert, sometimes in my car, and sometimes at events like the Rock & Roll Hall of Fame Induction ceremonies or a MusiCares tribute event, etc.

The main thing is that we all celebrate the music and the people who have made the music that we love and has meant so much to us.

Toby Mamis


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